Maria Antonella Pelizzari
Biographic Data
| ID | 6677522 |
|---|---|
| NAME | Maria Antonella Pelizzari |
| GIVEN NAMES | Maria Antonella |
| FAMILY NAME | Pelizzari |
| SIGNATURE | PELIZZARI M A |
| AFFILIATIONS | Hunter College |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 18 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Circulating Photographs
Make-believe
Amidst the wide array of women's magazines published in Italy in the 1930s, Lei. Rivista di vita femminile presents a compelling case study of the make-believe effect achieved through fashion and the allure of the silver screen. Published by Angelo Rizzoli between 1933 and 1938, Lei stands out for a cosmopolitan, American-looking lifestyle that champions an Italian ‘new woman’, aware of her own new image and enmeshed in a fantastic world of roman…
Storia culturale della fotografia italiana dal Neorealismo al Postmoderno
The Unseen Eye
Nouvelles pistes conceptuelles entre photographie et architecture
Dès ses débuts en 1839, la photographie a contribué à la connaissance et à la diffusion de l’architecture, offrant l’impression d’une transcription précise de volumes en trois dimensions sur des surfaces imprimées (des photos originales insérées dans des albums, des reproductions photomécaniques publiées dans des livres, des revues et des publicités). Ce qui semble aujourd’hui une déclaration naïve de la part de son inventeur britannique William …
Towards an Impossible Closure— Susan Meiselas
(2009). Towards an Impossible Closure—Susan Meiselas: In History. Photography and Culture: Vol. 2, No. 2, pp. 205-209
Out of Place
Review| June 01 2006 Out of Place Lynne Cohen: Mixed Messages, Hasted Hunt Gallery, New York, New York, February 23-April 8, 2006 Maria Antonella Pelizzari Maria Antonella Pelizzari Maria Antonella Pelizzari is an associate professor of the History of Photography at Hunter College in New York City. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2006) 33 (6): 46. https://doi.org/10.1525/aft.2006.33.6.46 Views…
Representing a ‘sacred geography’
Italy
Italy
Mario Giacomelli, 1925-2000
Mario Cresci's
‘Any claim to systematic knowledge appears as a flight of foolish fancy. To acknowledge this is not to abandon the idea of totality .... Reality is opaque; but there are certain points — clues, symptoms — which allow us to decipher it’.1 Searching for an epistemological model, or paradigm in the social sciences, the Italian historian Carlo Ginzburg wrote these words in an essay published in 1979 under the title ‘Clues: Morelli, Freud, and Sherloc…
Resistance to Erasure
Review| April 01 1999 Resistance to Erasure Kurdistan: In the Shadow of History, by Susan Meiselas, New York: Random House, 1997, 388 pp./$100.00 (hb) Maria Antonella Pelizzari Maria Antonella Pelizzari Maria Antonella Pelizzari is Assistant Curator of Photography at the Canadian Centre for Architecture in Montréal. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1999) 26 (5): 17. https://doi.org/10.1525/aft.…
Centers and Peripheries in Contemporary Italian Photography
Essay| August 01 1997 Centers and Peripheries in Contemporary Italian Photography Maria Antonella Pelizzari Maria Antonella Pelizzari Maria Antonella Pelizzari is completing her Ph.D. dissertation at the University of New Mexico. Albuquerque and is this year’s recipient of the Lisette Model Fellowship at the National Gallery of Canada. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1997) 25 (1): 6. https://d…
Nathan Lyons
Nathan Lyons has exercised a very unique role in the historiography of photography, in that he has been influential since the late 1950s — as a photographer, educator, writer, curator, administrator — in the establishment of an American photographic community, while he has always encouraged the cross-disciplinary discussion and the presentation of photography with other media. A coherent yet diversified thread connects Lyons's early study of lite…
Nineteenth-century Italian photography
Photography and literature
(1996). Photography and literature: L'asino D'oro. History of Photography: Vol. 20, No. 4, pp. 369-370
Pompeo Bondini
Italian photography in the nineteenth century is like a text cluttered with foreign authors and local commercial studios, all intent on reiterating a preconceived idea of the country. The discovery of a body of evidence in a photographically illustrated book published in papal Rome in 1853, now in the Avery Architectural and Fine Arts Library at Columbia University in New York, far from its original context,1 Classics Cage F/ AA 326 B64. The book…
Towards an Impossible Closure— Susan Meiselas
(2009). Towards an Impossible Closure—Susan Meiselas: In History. Photography and Culture: Vol. 2, No. 2, pp. 205-209
Nineteenth-century Italian photography
Photography and literature
(1996). Photography and literature: L'asino D'oro. History of Photography: Vol. 20, No. 4, pp. 369-370
Pompeo Bondini
Italian photography in the nineteenth century is like a text cluttered with foreign authors and local commercial studios, all intent on reiterating a preconceived idea of the country. The discovery of a body of evidence in a photographically illustrated book published in papal Rome in 1853, now in the Avery Architectural and Fine Arts Library at Columbia University in New York, far from its original context,1 Classics Cage F/ AA 326 B64. The book…
Centers and Peripheries in Contemporary Italian Photography
Essay| August 01 1997 Centers and Peripheries in Contemporary Italian Photography Maria Antonella Pelizzari Maria Antonella Pelizzari Maria Antonella Pelizzari is completing her Ph.D. dissertation at the University of New Mexico. Albuquerque and is this year’s recipient of the Lisette Model Fellowship at the National Gallery of Canada. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1997) 25 (1): 6. https://d…
Nathan Lyons
Nathan Lyons has exercised a very unique role in the historiography of photography, in that he has been influential since the late 1950s — as a photographer, educator, writer, curator, administrator — in the establishment of an American photographic community, while he has always encouraged the cross-disciplinary discussion and the presentation of photography with other media. A coherent yet diversified thread connects Lyons's early study of lite…
Resistance to Erasure
Review| April 01 1999 Resistance to Erasure Kurdistan: In the Shadow of History, by Susan Meiselas, New York: Random House, 1997, 388 pp./$100.00 (hb) Maria Antonella Pelizzari Maria Antonella Pelizzari Maria Antonella Pelizzari is Assistant Curator of Photography at the Canadian Centre for Architecture in Montréal. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1999) 26 (5): 17. https://doi.org/10.1525/aft.…
Mario Cresci's
‘Any claim to systematic knowledge appears as a flight of foolish fancy. To acknowledge this is not to abandon the idea of totality .... Reality is opaque; but there are certain points — clues, symptoms — which allow us to decipher it’.1 Searching for an epistemological model, or paradigm in the social sciences, the Italian historian Carlo Ginzburg wrote these words in an essay published in 1979 under the title ‘Clues: Morelli, Freud, and Sherloc…
Mario Giacomelli, 1925-2000
Italy
Italy
Out of Place
Review| June 01 2006 Out of Place Lynne Cohen: Mixed Messages, Hasted Hunt Gallery, New York, New York, February 23-April 8, 2006 Maria Antonella Pelizzari Maria Antonella Pelizzari Maria Antonella Pelizzari is an associate professor of the History of Photography at Hunter College in New York City. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2006) 33 (6): 46. https://doi.org/10.1525/aft.2006.33.6.46 Views…
Representing a ‘sacred geography’
Nouvelles pistes conceptuelles entre photographie et architecture
Dès ses débuts en 1839, la photographie a contribué à la connaissance et à la diffusion de l’architecture, offrant l’impression d’une transcription précise de volumes en trois dimensions sur des surfaces imprimées (des photos originales insérées dans des albums, des reproductions photomécaniques publiées dans des livres, des revues et des publicités). Ce qui semble aujourd’hui une déclaration naïve de la part de son inventeur britannique William …
Towards an Impossible Closure— Susan Meiselas
(2009). Towards an Impossible Closure—Susan Meiselas: In History. Photography and Culture: Vol. 2, No. 2, pp. 205-209
The Unseen Eye
Make-believe
Amidst the wide array of women's magazines published in Italy in the 1930s, Lei. Rivista di vita femminile presents a compelling case study of the make-believe effect achieved through fashion and the allure of the silver screen. Published by Angelo Rizzoli between 1933 and 1938, Lei stands out for a cosmopolitan, American-looking lifestyle that champions an Italian ‘new woman’, aware of her own new image and enmeshed in a fantastic world of roman…
Storia culturale della fotografia italiana dal Neorealismo al Postmoderno
Circulating Photographs
Art (15 works) · Art history (11 works) · Visual arts (10 works) · Italian Fascism and Post-war Society (8 works) · Photography (8 works) · Photography and Visual Culture (8 works) · Computer Science (5 works) · Citation (3 works) · Download (3 works) · Geography (3 works)