Catherine Barbour
Biographic Data
| ID | 6677933 |
|---|---|
| NAME | Catherine Barbour |
| GIVEN NAMES | Catherine |
| FAMILY NAME | Barbour |
| SIGNATURE | BARBOUR C |
| AFFILIATIONS | University of Surrey |
| ORCID | 0000-0002-2916-4717 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Pos-crise? Relacións femininas en dúas curtametraxes da ‘nova diáspora galega’
Este artigo adopta un enfoque feminista para analizar os conflitos interpersoais femininos en dúas curtametraxes de ficción pertencentes ao cinema poscrise da ‘nova diáspora galega’. Partindo da teorización de Sara Ahmed sobre ‘a promesa da felicidade’ no ensaio homónimo (2010), que critica a suposta responsabilidade das persoas inmigrantes e as minorías de ser ‘felices’, arguméntase que Illa pedra (2010) e Galicia. Portobello Road (2015) dirixid…
Journey through the Movida
Feminisms at work
Dynamic, multifaceted and multimodal feminist and woman-led artistic production has made its mark in the Galician cultural sphere in recent years. Non-canonical artistic formulations located on the fringes of, and often serving as a challenge to, mainstream Galician culture reveal new ways of thinking about gender from peripheral, non-hegemonic and decolonial positions. Galician women are engaging in creative and experimental forms of self-expres…
Of monsters and women
This article contrasts strategies of resistance to gender-based violence in two examples of audio-visual media which draw on or subvert the burgeoning genre of Galician noir; Season 1 of the TVG-Netflix hit O sabor das margaridas () directed by Miguel Conde and the women-centred grassroots feminist web series Monstras () directed by Eire García Cid. These divergent case studies muddy the binary of female victimhood and male aggression whilst draw…
Translingual Empowerment
On claiming that a language constitutes ?the only country without borders?, German-Bosnian \nwriter Sa?a Stani?i? taps into the multifaceted debates surrounding its role in literary \npractice. Throughout history, the global movement and mixing of peoples, languages, \ncultures and ideas has triggered diverse, innovative and experimental creativity. Translingual \nwriting, in which the writer adopts a second language, or moves between two or more…
Galicia on the move
Los pájaros are feliz and are dreaming about gwiazdy
Although one in five state-educated children in England speaks a language other than English at home, there is little space in the National Curriculum for the expression of this linguistic heritage. In this article, we make the case for facilitating multilingualism in the primary classroom through translingual creative writing, which involves mixing two or more languages. We draw on empirical research with a class of lower Key Stage 2 children of…
Staking a Claim
This article interrogates the depiction of Galician identity in the Spanish-language novel Hotel Almirante (2002), by Marta Rivera de la Cruz, the Lugo-born writer, journalist and Ciudadanos politician whose role as a producer of Galician culture is widely contested owing not only to her linguistic practice, but also her dismissal of Galician nationalism and language policy. As might be expected, Rivera’s novel often tends towards a conservative,…
Of monsters and women
This article contrasts strategies of resistance to gender-based violence in two examples of audio-visual media which draw on or subvert the burgeoning genre of Galician noir; Season 1 of the TVG-Netflix hit O sabor das margaridas () directed by Miguel Conde and the women-centred grassroots feminist web series Monstras () directed by Eire García Cid. These divergent case studies muddy the binary of female victimhood and male aggression whilst draw…
Translingual Empowerment
On claiming that a language constitutes ?the only country without borders?, German-Bosnian \nwriter Sa?a Stani?i? taps into the multifaceted debates surrounding its role in literary \npractice. Throughout history, the global movement and mixing of peoples, languages, \ncultures and ideas has triggered diverse, innovative and experimental creativity. Translingual \nwriting, in which the writer adopts a second language, or moves between two or more…
Staking a Claim
This article interrogates the depiction of Galician identity in the Spanish-language novel Hotel Almirante (2002), by Marta Rivera de la Cruz, the Lugo-born writer, journalist and Ciudadanos politician whose role as a producer of Galician culture is widely contested owing not only to her linguistic practice, but also her dismissal of Galician nationalism and language policy. As might be expected, Rivera’s novel often tends towards a conservative,…
Galicia on the move
Los pájaros are feliz and are dreaming about gwiazdy
Although one in five state-educated children in England speaks a language other than English at home, there is little space in the National Curriculum for the expression of this linguistic heritage. In this article, we make the case for facilitating multilingualism in the primary classroom through translingual creative writing, which involves mixing two or more languages. We draw on empirical research with a class of lower Key Stage 2 children of…
Feminisms at work
Dynamic, multifaceted and multimodal feminist and woman-led artistic production has made its mark in the Galician cultural sphere in recent years. Non-canonical artistic formulations located on the fringes of, and often serving as a challenge to, mainstream Galician culture reveal new ways of thinking about gender from peripheral, non-hegemonic and decolonial positions. Galician women are engaging in creative and experimental forms of self-expres…
Of monsters and women
This article contrasts strategies of resistance to gender-based violence in two examples of audio-visual media which draw on or subvert the burgeoning genre of Galician noir; Season 1 of the TVG-Netflix hit O sabor das margaridas () directed by Miguel Conde and the women-centred grassroots feminist web series Monstras () directed by Eire García Cid. These divergent case studies muddy the binary of female victimhood and male aggression whilst draw…
Translingual Empowerment
On claiming that a language constitutes ?the only country without borders?, German-Bosnian \nwriter Sa?a Stani?i? taps into the multifaceted debates surrounding its role in literary \npractice. Throughout history, the global movement and mixing of peoples, languages, \ncultures and ideas has triggered diverse, innovative and experimental creativity. Translingual \nwriting, in which the writer adopts a second language, or moves between two or more…
Pos-crise? Relacións femininas en dúas curtametraxes da ‘nova diáspora galega’
Este artigo adopta un enfoque feminista para analizar os conflitos interpersoais femininos en dúas curtametraxes de ficción pertencentes ao cinema poscrise da ‘nova diáspora galega’. Partindo da teorización de Sara Ahmed sobre ‘a promesa da felicidade’ no ensaio homónimo (2010), que critica a suposta responsabilidade das persoas inmigrantes e as minorías de ser ‘felices’, arguméntase que Illa pedra (2010) e Galicia. Portobello Road (2015) dirixid…
Journey through the Movida
Sociology (5 works) · Political science (4 works) · Art (3 works) · Gender Studies (3 works) · Gender Studies (3 works) · Law (3 works) · Law (3 works) · Linguistics (3 works) · Politics (3 works) · Feminism (2 works)