Søren Bro Pold
Biographic Data
| ID | 6678019 |
|---|---|
| NAME | Søren Bro Pold |
| GIVEN NAMES | Søren Bro |
| FAMILY NAME | Pold |
| SIGNATURE | POLD S B |
| AFFILIATIONS | Aarhus University |
| ORCID | 0000-0002-8924-2772 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Generative Alternatives
In #freedomlibertyandhiphop (#frihedlighedoghiphop) (Ørum, 2023-) Kristoffer Ørum artistically employs generative AI (GenAI) images generated via Stable Diffusion to explore what would have happened to the Danish worker’s movement and late 20th-century culture if early hip-hop culture had been adopted rather than politics of austerity. Ørum’s project employs GenAI as a co-creative partner to depict a realistic yet slightly surreal alternative ver…
Interface Criticism
Overvågningens Kunst - Overvågningsdystopier Og Interfacebegær I Det Urbane Rum I 1984, Faceless Og Andre Urbane Interfaces
THE ART OF SURVEILLANCEFor many years surveillance was perceived in a negative way, but this has changed and we increasingly are surveilled by cameras and sensors and our behaviour on-line is logged and tracked by both companies and (inter-)national intelligence. Far from generating overwhelming protests, this development is often furthered by people willingly posting personal and private data to commercial services and companies on the web. Cons…
Emerging Materiality
The authors examine how materiality emerges from complex chains of mediation in creative software use. The primarily theoretical argument is inspired and illustrated by interviews with two composers of electronic music. The authors argue that computer mediated activity should not primarily be understood in terms of simple mediation, but rather as chains of complex mediation in which the dominant form of representation is metonymy rather than meta…
Interface Realisms
Udgivelsesdato: January
An Aesthetic Criticism of the Media
(1999). An Aesthetic Criticism of the Media: The Configurations of Art, Media and Politics in Walter Benjamin's Materialistic Aesthetics. Parallax: Vol. 5, Passagen 2000: The City, Pace and Space, pp. 22-35
Emerging Materiality
The authors examine how materiality emerges from complex chains of mediation in creative software use. The primarily theoretical argument is inspired and illustrated by interviews with two composers of electronic music. The authors argue that computer mediated activity should not primarily be understood in terms of simple mediation, but rather as chains of complex mediation in which the dominant form of representation is metonymy rather than meta…
An Aesthetic Criticism of the Media
(1999). An Aesthetic Criticism of the Media: The Configurations of Art, Media and Politics in Walter Benjamin's Materialistic Aesthetics. Parallax: Vol. 5, Passagen 2000: The City, Pace and Space, pp. 22-35
An Aesthetic Criticism of the Media
(1999). An Aesthetic Criticism of the Media: The Configurations of Art, Media and Politics in Walter Benjamin's Materialistic Aesthetics. Parallax: Vol. 5, Passagen 2000: The City, Pace and Space, pp. 22-35
Interface Realisms
Udgivelsesdato: January
Emerging Materiality
The authors examine how materiality emerges from complex chains of mediation in creative software use. The primarily theoretical argument is inspired and illustrated by interviews with two composers of electronic music. The authors argue that computer mediated activity should not primarily be understood in terms of simple mediation, but rather as chains of complex mediation in which the dominant form of representation is metonymy rather than meta…
Overvågningens Kunst - Overvågningsdystopier Og Interfacebegær I Det Urbane Rum I 1984, Faceless Og Andre Urbane Interfaces
THE ART OF SURVEILLANCEFor many years surveillance was perceived in a negative way, but this has changed and we increasingly are surveilled by cameras and sensors and our behaviour on-line is logged and tracked by both companies and (inter-)national intelligence. Far from generating overwhelming protests, this development is often furthered by people willingly posting personal and private data to commercial services and companies on the web. Cons…
Interface Criticism
Generative Alternatives
In #freedomlibertyandhiphop (#frihedlighedoghiphop) (Ørum, 2023-) Kristoffer Ørum artistically employs generative AI (GenAI) images generated via Stable Diffusion to explore what would have happened to the Danish worker’s movement and late 20th-century culture if early hip-hop culture had been adopted rather than politics of austerity. Ørum’s project employs GenAI as a co-creative partner to depict a realistic yet slightly surreal alternative ver…
Art (5 works) · Aesthetics (4 works) · Literature (3 works) · Art history (2 works) · Art, Technology, and Culture (2 works) · Computer Science (2 works) · Criticism (2 works) · Cybernetics and Technology in Society (2 works) · Digital Games and Media (2 works) · Epistemology (2 works)