Dan Urian
Biographic Data
| ID | 6678223 |
|---|---|
| NAME | Dan Urian |
| GIVEN NAMES | Dan |
| FAMILY NAME | Urian |
| SIGNATURE | URIAN D |
| AFFILIATIONS | Tel Aviv University |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Madrasa, 2023
The Judaic Nature of Israeli Theatre
Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthod…
The Arab in Israeli Drama and Theatre
What is Israeli theatre? Is it only a Hebrew theatre staged in Israel? Are performances by Arab Israelis working in an Arabic theatre framework not part of the repertoire of Israeli theatre? Do they perhaps belong to the Palestinian theatre? What are the "borders" of Palestinian theatre? Are not theatrical works created in East Jerusalem by Arab Israeli playwrights and actors, and staged on occasion before Jewish Israeli audiences, part of a dial…
Sefrou and Baghdad
Since the beginning of the 1980s Mizrachi theatre practitioners have confronted the problem of community segregation and the ways in which Mizrachi characters are represented. Gabriel Ben-Simchon and Sammy Michael represent two approaches chosen by playwrights and story-tellers of eastern origins (from Arab countries) in their confrontation with the changes that have taken place among their groups and with the stereotyping of these groups. These …
To Catch the Sky — The Jewish Identity of Israelis
In the winter of 2000, Israel’s Channel 2 television presented the series To Catch the Sky. This series allows us to learn about the changes in the viewers’ — and especially the secular viewers’ — attitudes to the phenomenon of teshuvah. Studying the intentions of the programme’s creators, the narrative format, the mode of character design and, especially, the reception, reveals that To Catch the Sky is not only a family story, but, like many oth…
Zionism in the Israeli theatre
In Search of Identity
Culture has played a focal role in the shaping of Jewish-Israeli national identity. Since the 1950s, Israeli culture has been disintegrating into simultaneous sub-cultures. The contributors discuss the nature and characteristics of this cultural tension and the nature of Jewishness
Baalei teshuva ('returnees to the religious fold') in Israeli theatre
The search for Jewish identity in the Israeli theatre Ish Hassid Haya , 1968
The emergence of the Arab image in Israeli theatre, 1948–82
No prominent works on this page.
The emergence of the Arab image in Israeli theatre, 1948–82
The search for Jewish identity in the Israeli theatre Ish Hassid Haya , 1968
In Search of Identity
Culture has played a focal role in the shaping of Jewish-Israeli national identity. Since the 1950s, Israeli culture has been disintegrating into simultaneous sub-cultures. The contributors discuss the nature and characteristics of this cultural tension and the nature of Jewishness
Baalei teshuva ('returnees to the religious fold') in Israeli theatre
Zionism in the Israeli theatre
To Catch the Sky — The Jewish Identity of Israelis
In the winter of 2000, Israel’s Channel 2 television presented the series To Catch the Sky. This series allows us to learn about the changes in the viewers’ — and especially the secular viewers’ — attitudes to the phenomenon of teshuvah. Studying the intentions of the programme’s creators, the narrative format, the mode of character design and, especially, the reception, reveals that To Catch the Sky is not only a family story, but, like many oth…
Sefrou and Baghdad
Since the beginning of the 1980s Mizrachi theatre practitioners have confronted the problem of community segregation and the ways in which Mizrachi characters are represented. Gabriel Ben-Simchon and Sammy Michael represent two approaches chosen by playwrights and story-tellers of eastern origins (from Arab countries) in their confrontation with the changes that have taken place among their groups and with the stereotyping of these groups. These …
The Judaic Nature of Israeli Theatre
Theatre has, since the time of the Jewish Enlightenment, served the secular community in its conflict with the religious. This book surveys the secular-religious rift and then describes the enhanced concern of the secular community in Israel for its own Jewishness and its expression in the theatre - especially following the 1967 War. It then moves on to a specific study of the play Bruira and finally reviews the phenomenon of the return to Orthod…
The Arab in Israeli Drama and Theatre
What is Israeli theatre? Is it only a Hebrew theatre staged in Israel? Are performances by Arab Israelis working in an Arabic theatre framework not part of the repertoire of Israeli theatre? Do they perhaps belong to the Palestinian theatre? What are the "borders" of Palestinian theatre? Are not theatrical works created in East Jerusalem by Arab Israeli playwrights and actors, and staged on occasion before Jewish Israeli audiences, part of a dial…
Madrasa, 2023
Jewish and Middle Eastern Studies (9 works) · Middle East Politics and Society (7 works) · History (6 works) · Philosophy (6 works) · Political science (6 works) · Philosophy (5 works) · Aesthetics (4 works) · Art (4 works) · History (4 works) · Judaism (4 works)