Yochai Oppenheimer
Biographic Data
| ID | 6678298 |
|---|---|
| NAME | Yochai Oppenheimer |
| GIVEN NAMES | Yochai |
| FAMILY NAME | Oppenheimer |
| SIGNATURE | OPPENHEIMER Y |
| AFFILIATIONS | Tel Aviv University |
| ORCID | 0000-0002-9146-5764 |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
‘I Saw It, Of Course, But I’d Quickly Look Away’
Arab Music and Mizraḥi Poetry
The concept of “Arab Jews,” which has appeared in Israeli Mizraḥi (Oriental) discourse over the last decade, resists the framework of Israeli national culture that demands the elimination of Arab identity. For this music suggests possibilities of remembering and “re-presenting” this partially-repressed element. Moreover, the experience of remembering Arab music represents, more than anything else, the diasporic attitude of the Mizraḥim (Oriental …
Hegemony inside and out
This article examines the political protest expressed by Nathan Alterman over the years in poems published in the newspapers. It argues that this criticism identifies with the hegemonic political values rather than articulate alternative ones, in an attempt to nurture self-criticism on the part of the government regarding its failures and mistakes. This type of criticism seeks to preserve the reigning hegemony from within and to ensure that it pr…
No prominent works on this page.
Hegemony inside and out
This article examines the political protest expressed by Nathan Alterman over the years in poems published in the newspapers. It argues that this criticism identifies with the hegemonic political values rather than articulate alternative ones, in an attempt to nurture self-criticism on the part of the government regarding its failures and mistakes. This type of criticism seeks to preserve the reigning hegemony from within and to ensure that it pr…
Arab Music and Mizraḥi Poetry
The concept of “Arab Jews,” which has appeared in Israeli Mizraḥi (Oriental) discourse over the last decade, resists the framework of Israeli national culture that demands the elimination of Arab identity. For this music suggests possibilities of remembering and “re-presenting” this partially-repressed element. Moreover, the experience of remembering Arab music represents, more than anything else, the diasporic attitude of the Mizraḥim (Oriental …
‘I Saw It, Of Course, But I’d Quickly Look Away’
Art (2 works) · History (2 works) · Jewish and Middle Eastern Studies (2 works) · Law (2 works) · Literature (2 works) · Middle East Politics and Society (2 works) · Philosophy (2 works) · Poetry (2 works) · Political science (2 works) · Aesthetics (1 work)