A Arizzi
Biographic Data
| ID | 667877 |
|---|---|
| NAME | A Arizzi |
| GIVEN NAMES | A |
| FAMILY NAME | Arizzi |
| SIGNATURE | ARIZZI A |
| AFFILIATIONS | Universidad de Granada |
| ORCID | 0000-0002-8996-0205 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 45 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 2 |
The fresco wall painting techniques in the Mediterranean area from Antiquity to the present
Fresco wall paintings are one of the oldest artforms in our cultural heritage, dating back to the second millennium BC. In this work, we carry out a thorough review on the evolution of the fresco wall painting technique from Antiquity to the present day. Focused on the Mediterranean area, the aim is to gather in-depth information on different technological aspects of this decorative artform such as execution procedure, materials used and pictoria…
Present and future of chromatic reintegrations of wall paintings
The chromatic reintegration of wall paintings, also known as inpainting, is a common practice in the conservation and restoration of Cultural Heritage (CH). The main objective of the treatment is to make the narrative content of paintings with lacunae (i.e. missing paint) more artistically and iconographically legible. Very few scientific studies have addressed the suitability and durability of the materials used in this kind of procedure, despit…
Analysis of pigments and mortars from the wall paintings of the Roman archaeological site of Las Dunas (San Pedro de Alcántara, Malaga S Spain)
This study aims to describe the composition, texture, and arrangement of mortars and pictorial layers from a newly excavated Roman archaeological site in the province of Baetica, southern Spain. Representative fragments with well-preserved pictorial layers were analyzed using optical imaging, spectrophotometry, Scanning Electron Microscopy with Energy-Dispersive Spectroscopy (SEM-EDS) mapping, and X-ray diffraction. The results reveal similaritie…
Mortars and plasters-how to characterise hydraulic mortars
How to deal with the conservation of the archaeological remains of earthen defensive architecture
From ancient construction, through survival, towards modern conservation
The efficiency of nanolime and dibasic ammonium phosphate in the consolidation of beige limestone from the Pasargadae World Heritage Site
Mortars and plasters-how to characterise hydraulic mortars
The efficiency of nanolime and dibasic ammonium phosphate in the consolidation of beige limestone from the Pasargadae World Heritage Site
Analysis of pigments and mortars from the wall paintings of the Roman archaeological site of Las Dunas (San Pedro de Alcántara, Malaga S Spain)
This study aims to describe the composition, texture, and arrangement of mortars and pictorial layers from a newly excavated Roman archaeological site in the province of Baetica, southern Spain. Representative fragments with well-preserved pictorial layers were analyzed using optical imaging, spectrophotometry, Scanning Electron Microscopy with Energy-Dispersive Spectroscopy (SEM-EDS) mapping, and X-ray diffraction. The results reveal similaritie…
How to deal with the conservation of the archaeological remains of earthen defensive architecture
From ancient construction, through survival, towards modern conservation
The efficiency of nanolime and dibasic ammonium phosphate in the consolidation of beige limestone from the Pasargadae World Heritage Site
Mortars and plasters-how to characterise hydraulic mortars
How to deal with the conservation of the archaeological remains of earthen defensive architecture
From ancient construction, through survival, towards modern conservation
Analysis of pigments and mortars from the wall paintings of the Roman archaeological site of Las Dunas (San Pedro de Alcántara, Malaga S Spain)
This study aims to describe the composition, texture, and arrangement of mortars and pictorial layers from a newly excavated Roman archaeological site in the province of Baetica, southern Spain. Representative fragments with well-preserved pictorial layers were analyzed using optical imaging, spectrophotometry, Scanning Electron Microscopy with Energy-Dispersive Spectroscopy (SEM-EDS) mapping, and X-ray diffraction. The results reveal similaritie…
The fresco wall painting techniques in the Mediterranean area from Antiquity to the present
Fresco wall paintings are one of the oldest artforms in our cultural heritage, dating back to the second millennium BC. In this work, we carry out a thorough review on the evolution of the fresco wall painting technique from Antiquity to the present day. Focused on the Mediterranean area, the aim is to gather in-depth information on different technological aspects of this decorative artform such as execution procedure, materials used and pictoria…
Present and future of chromatic reintegrations of wall paintings
The chromatic reintegration of wall paintings, also known as inpainting, is a common practice in the conservation and restoration of Cultural Heritage (CH). The main objective of the treatment is to make the narrative content of paintings with lacunae (i.e. missing paint) more artistically and iconographically legible. Very few scientific studies have addressed the suitability and durability of the materials used in this kind of procedure, despit…
Building materials and conservation (7 works) · Archaeology (5 works) · Conservation Techniques and Studies (5 works) · Cultural Heritage Materials Analysis (5 works) · Geography (4 works) · Geology (4 works) · Cultural heritage (3 works) · Engineering (3 works) · Geochemistry (3 works) · Materials Science (3 works)