Massimo Zicari
Biographic Data
| ID | 6681129 |
|---|---|
| NAME | Massimo Zicari |
| GIVEN NAMES | Massimo |
| FAMILY NAME | Zicari |
| SIGNATURE | ZÍCARI M |
| AFFILIATIONS | Conservatorio della Svizzera Italiana Scuola, Universitaria di Musica, Switzerland |
| ORCID | 0000-0001-6884-4697 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Cultural stereotypes and the reception of Verdi’s operas in Victorian London
In the period spanning the years 1845–1901, Verdi came to be understood not only as the most influential representative of Italian opera worldwide, but also as the symbol of a musical tradition that was said to be in a constant state of decline. On the other hand, in Victorian London, Italy was still nostalgically portrayed as the country whose very language was music, where the gondolieri chanted the stanzas of Tasso to self-invented tunes, wher…
Mastery through imitation
A paradox exists between the long history of teaching music through imitative strategies and the demand to possess original artistic insight. This article addresses this paradox by investigating the general musical and educational implications of imitative learning strategies. In the first study, five advanced violinists were divided into an Experimental Group (n=3) and a Control Group (n=2). All violinists were asked to prepare and perform the A…
No prominent works on this page.
Mastery through imitation
A paradox exists between the long history of teaching music through imitative strategies and the demand to possess original artistic insight. This article addresses this paradox by investigating the general musical and educational implications of imitative learning strategies. In the first study, five advanced violinists were divided into an Experimental Group (n=3) and a Control Group (n=2). All violinists were asked to prepare and perform the A…
Cultural stereotypes and the reception of Verdi’s operas in Victorian London
In the period spanning the years 1845–1901, Verdi came to be understood not only as the most influential representative of Italian opera worldwide, but also as the symbol of a musical tradition that was said to be in a constant state of decline. On the other hand, in Victorian London, Italy was still nostalgically portrayed as the country whose very language was music, where the gondolieri chanted the stanzas of Tasso to self-invented tunes, wher…
Art (2 works) · Literature (2 works) · Musical (2 works) · Acoustics (1 work) · Aesthetics (1 work) · Art history (1 work) · Cognitive psychology (1 work) · Diverse Music Education Insights (1 work) · Epistemology (1 work) · Favourite (1 work)