Gabriela Siracusano
Biographic Data
| ID | 668233 |
|---|---|
| NAME | Gabriela Siracusano |
| GIVEN NAMES | Gabriela |
| FAMILY NAME | Siracusano |
| SIGNATURE | SIRACUSANO G |
| AFFILIATIONS | Consejo Nacional de Investigaciones Científicas y Técnicas |
| ORCID | 0000-0002-0331-3040 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
La biblioteca del marqués del Valle de Tojo
Proponemos hacer un análisis de los libros de la biblioteca de Juan José Fernández Campero de Herrera (1641-1718), primer marqués del Valle de Tojo, encomendero de Casabindo y Cochinoca, patrono de la Iglesia y colegio de San Miguel Arcángel de la Villa de Tarija y benefactor de las misiones en Chiquitos. Consideramos que fue una importante biblioteca de la región y una de las más tempranas estudiadas para la actual provincia de Jujuy en Argentin…
Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals
Research on the materiality of Andean Colonial artistic heritage contributes to the knowledge on the cultural and social history of the region. In this work we present the results of an interdisciplinary and multi-analytical investigation on a mural painting of the church of Curahuara de Carangas in Bolivia. This painting has been hidden for years behind the main 18th century wooden altarpiece. Its stylistic and pictorial characteristics place it…
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting
Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and est…
Finding of muscle proteins in art samples from mid-18th century murals by LC-MSMS
Transcultural Imaginations of the Sacred
Programa iconográfico y material en las pinturas murales de la iglesia de San Andrés de Pachama, Chile
Las escasas publicaciones que se refieren a los murales de la iglesia de Pachama ofrecen solo analisis parciales de su contenido, por tanto, uno de los principales aportes de este articulo sera ent
Alternative methodology for traditional interventions
Conceptions and reworkings of baroque and neobaroque in recent years
Baroque needs to be thought across chronological and geographical divides to connect architecture and dance, painting and natural science, philosophy, sculpture and music (and not in the sense of representations of music) and, above all, in relation to encounters with difference - heavenly, earthly, social, political, religious, geographical. What possibilities in baroque are open now in relation to present dilemmas in art history and world event…
Colores en los Andes. Hacer, Saber y Poder
Programa iconográfico y material en las pinturas murales de la iglesia de San Andrés de Pachama, Chile
Las escasas publicaciones que se refieren a los murales de la iglesia de Pachama ofrecen solo analisis parciales de su contenido, por tanto, uno de los principales aportes de este articulo sera ent
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting
Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and est…
Finding of muscle proteins in art samples from mid-18th century murals by LC-MSMS
Colores en los Andes. Hacer, Saber y Poder
Alternative methodology for traditional interventions
Conceptions and reworkings of baroque and neobaroque in recent years
Baroque needs to be thought across chronological and geographical divides to connect architecture and dance, painting and natural science, philosophy, sculpture and music (and not in the sense of representations of music) and, above all, in relation to encounters with difference - heavenly, earthly, social, political, religious, geographical. What possibilities in baroque are open now in relation to present dilemmas in art history and world event…
Programa iconográfico y material en las pinturas murales de la iglesia de San Andrés de Pachama, Chile
Las escasas publicaciones que se refieren a los murales de la iglesia de Pachama ofrecen solo analisis parciales de su contenido, por tanto, uno de los principales aportes de este articulo sera ent
Transcultural Imaginations of the Sacred
Finding of muscle proteins in art samples from mid-18th century murals by LC-MSMS
Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals
Research on the materiality of Andean Colonial artistic heritage contributes to the knowledge on the cultural and social history of the region. In this work we present the results of an interdisciplinary and multi-analytical investigation on a mural painting of the church of Curahuara de Carangas in Bolivia. This painting has been hidden for years behind the main 18th century wooden altarpiece. Its stylistic and pictorial characteristics place it…
Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting
Painting materials used in Spanish American Colonial art comprised pigments and binders from European origin as well as those that were already known in pre-Hispanic times. In recent years, we have identified for the first time the mineral atacamite, a basic copper chloride (Cu2Cl(OH)3), in Andean Colonial art pieces (Viceroyalty of Peru, 16th–18th centuries). This work proposes a methodology based on a multitechnical approach to identify and est…
La biblioteca del marqués del Valle de Tojo
Proponemos hacer un análisis de los libros de la biblioteca de Juan José Fernández Campero de Herrera (1641-1718), primer marqués del Valle de Tojo, encomendero de Casabindo y Cochinoca, patrono de la Iglesia y colegio de San Miguel Arcángel de la Villa de Tarija y benefactor de las misiones en Chiquitos. Consideramos que fue una importante biblioteca de la región y una de las más tempranas estudiadas para la actual provincia de Jujuy en Argentin…
Art (6 works) · Conservation Techniques and Studies (4 works) · Cultural Heritage Materials Analysis (4 works) · Geography (4 works) · Painting (4 works) · Archaeology (3 works) · Art history (3 works) · Building materials and conservation (3 works) · Humanities (2 works) · Latin American history and culture (2 works)