Jim Cheshire
Biographic Data
| ID | 6682891 |
|---|---|
| NAME | Jim Cheshire |
| GIVEN NAMES | Jim |
| FAMILY NAME | Cheshire |
| SIGNATURE | CHESHIRE J |
| AFFILIATIONS | University of Lincoln |
| ORCID | 0000-0003-2371-2142 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Remembering Hodson’s Horse
This article presents analysis of the memorial to William Hodson in Lichfield Cathedral, designed by George Edmund Street between 1859 and 1862, focusing on the iconography of the monument and way that it was influenced by Muscular Christianity and ecclesiology. The attitude of Hodson and his brother George Hodson, who commissioned the monument, is examined through analysis of the publication that presented Hodson’s career to the Victorian public…
Remediation, Medievalism, and Empire in T. W. Camm’s ‘Jubilee of the Nations’ Window at Great Malvern Priory
T. W. Camm’s ‘Jubilee of the Nations’ window created for Great Malvern Priory in 1887 combines a vision of late-Victorian imperial ideology with a narrative of Queen Victoria’s reign. The window is an intense and eclectic combination of visual sources, funded by progressive Birmingham manufacturer James Atkins, and heavily associated with the metalwork firm R. W. Winfield and Co. A series of cultural and racial hierarchies are evident within the …
Art and the people
Tennyson and Mid-Victorian Publishing
This book examines how Tennyson’s career was mediated, organised and directed by the publishing industry. Founded on neglected archival material, it examines the scale and distribution of Tennyson’s b
Tennyson and Mid-Victorian Publishing
Publishing Tennyson in America
Demand for Tennyson in America stimulated the publication of the 1842 Poems in England. The Boston publisher Ticknor and Fields enjoyed a stable and lucrative relationship with Tennyson from the early 1840s to the late 1860s. They paid him royalties and were protected by the ‘courtesy of the trade’ a voluntary agreement among American publishers. Ticknor and Fields published an early collected edition after sales of the 1842 Poems were slow. The …
Material Culture and the ‘Backstage’
As part of a roundtable response to Peter Andersson's article 'How Civilized Were the Victorians', this paper argues that material culture studies can help us to articulate new historical narratives about the Victorian period. Post-structuralism helped to privilege linguistic analysis to the detriment of direct scrutiny of material culture while approaches aligned to archaeology and anthropology enable us to rediscover the significance of physica…
No prominent works on this page.
Tennyson and Mid-Victorian Publishing
This book examines how Tennyson’s career was mediated, organised and directed by the publishing industry. Founded on neglected archival material, it examines the scale and distribution of Tennyson’s b
Tennyson and Mid-Victorian Publishing
Publishing Tennyson in America
Demand for Tennyson in America stimulated the publication of the 1842 Poems in England. The Boston publisher Ticknor and Fields enjoyed a stable and lucrative relationship with Tennyson from the early 1840s to the late 1860s. They paid him royalties and were protected by the ‘courtesy of the trade’ a voluntary agreement among American publishers. Ticknor and Fields published an early collected edition after sales of the 1842 Poems were slow. The …
Material Culture and the ‘Backstage’
As part of a roundtable response to Peter Andersson's article 'How Civilized Were the Victorians', this paper argues that material culture studies can help us to articulate new historical narratives about the Victorian period. Post-structuralism helped to privilege linguistic analysis to the detriment of direct scrutiny of material culture while approaches aligned to archaeology and anthropology enable us to rediscover the significance of physica…
Art and the people
Remediation, Medievalism, and Empire in T. W. Camm’s ‘Jubilee of the Nations’ Window at Great Malvern Priory
T. W. Camm’s ‘Jubilee of the Nations’ window created for Great Malvern Priory in 1887 combines a vision of late-Victorian imperial ideology with a narrative of Queen Victoria’s reign. The window is an intense and eclectic combination of visual sources, funded by progressive Birmingham manufacturer James Atkins, and heavily associated with the metalwork firm R. W. Winfield and Co. A series of cultural and racial hierarchies are evident within the …
Remembering Hodson’s Horse
This article presents analysis of the memorial to William Hodson in Lichfield Cathedral, designed by George Edmund Street between 1859 and 1862, focusing on the iconography of the monument and way that it was influenced by Muscular Christianity and ecclesiology. The attitude of Hodson and his brother George Hodson, who commissioned the monument, is examined through analysis of the publication that presented Hodson’s career to the Victorian public…
Art (5 works) · Art history (4 works) · History (4 works) · Literature (4 works) · History (3 works) · Law (3 works) · Political science (3 works) · Publishing (3 works) · Historical Art and Culture Studies (2 works) · Literature: history, themes, analysis (2 works)