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Clare Gill

Biographic Data

ID6682893
NAMEClare Gill
GIVEN NAMESClare
FAMILY NAMEGill
SIGNATUREGILL C
AFFILIATIONSUniversity of St Andrews
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT2
EDITOR COUNT1
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Olive Schreiner, Marie Corelli and the Anxieties of Female Authorship

    Open Access•Clare Gill•ARTICLE•Journal of Victorian Culture•2020•Cited by: 1•References: 1

    This article explores the competing models of gendered authorship emerging from Marie Corelli’s multiple print encounters with Olive Schreiner. Where Schreiner is cast by Corelli as the modish darling of a snobbish literary intelligentsia, who is beloved by critics and ignored by readers, Corelli herself emerges from her writings about Schreiner as the democratic author par excellence, a writer for the people rather than the press. In spite of th…

  • Women, Periodicals and Print Culture in Britain, 1830s-1900s

    Alexis Easley, Beth Rodgers et al.•BOOK•Women, Periodicals and Print…•2019

  • Women, Periodicals and Print Culture in Britain, 1830s-1900s

    Open Access•Alexis Easley, Clare Gill et al.•BOOK•Women, Periodicals and Print…•2019

    This collection of new essays offers in-depth analysis of the multi-faceted relationship between women, periodicals and print culture in Victorian Britain. This period witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse readership and, as a result, the Victorian periodical press has been of keen interest to scholars working across a range of specialist fields in recent decades. No p…

  • Olive Schreiner, Marie Corelli and the Anxieties of Female Authorship

    Open Access•Clare Gill•ARTICLE•Journal of Victorian Culture•2020•Cited by: 1•References: 1

    This article explores the competing models of gendered authorship emerging from Marie Corelli’s multiple print encounters with Olive Schreiner. Where Schreiner is cast by Corelli as the modish darling of a snobbish literary intelligentsia, who is beloved by critics and ignored by readers, Corelli herself emerges from her writings about Schreiner as the democratic author par excellence, a writer for the people rather than the press. In spite of th…

  • Women, Periodicals and Print Culture in Britain, 1830s-1900s

    Alexis Easley, Beth Rodgers et al.•BOOK•Women, Periodicals and Print…•2019

  • Women, Periodicals and Print Culture in Britain, 1830s-1900s

    Open Access•Alexis Easley, Clare Gill et al.•BOOK•Women, Periodicals and Print…•2019

    This collection of new essays offers in-depth analysis of the multi-faceted relationship between women, periodicals and print culture in Victorian Britain. This period witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse readership and, as a result, the Victorian periodical press has been of keen interest to scholars working across a range of specialist fields in recent decades. No p…

  • Olive Schreiner, Marie Corelli and the Anxieties of Female Authorship

    Open Access•Clare Gill•ARTICLE•Journal of Victorian Culture•2020•Cited by: 1•References: 1

    This article explores the competing models of gendered authorship emerging from Marie Corelli’s multiple print encounters with Olive Schreiner. Where Schreiner is cast by Corelli as the modish darling of a snobbish literary intelligentsia, who is beloved by critics and ignored by readers, Corelli herself emerges from her writings about Schreiner as the democratic author par excellence, a writer for the people rather than the press. In spite of th…

Aesthetics (2 works) · Art (2 works) · Art history (2 works) · Great britain (2 works) · History (2 works) · History (2 works) · Literature: history, themes, analysis (2 works) · Political science (2 works) · Print culture (2 works) · Publishers and publishing (2 works)

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