Julia Byl
Biographic Data
| ID | 668763 |
|---|---|
| NAME | Julia Byl |
| GIVEN NAMES | Julia |
| FAMILY NAME | Byl |
| SIGNATURE | BYL J |
| AFFILIATIONS | University of Alberta |
| ORCID | 0000-0002-5147-4703 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 7 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 2 |
Sounding the Indian Ocean
Colloquy
If we open our introduction to this colloquy with a question, namely how and to what ends we might theorize global music history, it is because critical questioning seems to be at the heart of the contributions gathered here. We invited six authors to reflect on a key historical concept, process, or formation they have encountered in their globally oriented music research; as we expected, the topics and methods of their resulting contributions va…
Sounding the Indian Ocean
Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integra…
Ethnomusicology and the Indian Ocean
This article draws on the recent boom in Indian Ocean studies to build a framework for registering the Indian Ocean in ethnomusicology. We show how the human experiences of movement across the Indian Ocean expanse have conditioned the musical traditions of ports and islands, and we put ethnomusicological writings on places like Zanzibar and Oman into dialogue with those from Mauritius and Singapore. We address how ethnomusicology's area studies p…
Hindustani Traces in Malay Ghazal
‘One story ends and another begins’
This is the first treatment of a hitherto unknown text, a hybrid lithograph-manuscript from 1864 called the Syair Tabut, or ‘Poem of the tomb effigies’, by Encik Ali. The only known copy of the Syair, held at Leiden University in the Klinkert collection, and transcribed and translated by Byl, Iskandar, Lunn, and McCallum (2017), describes the Muharram commemorations at Singapore that year. As the poet describes the procession and its consequences…
The Syair Tabut of Encik Ali
This is an annotated transcription and translation of the Syair Tabut (Poem of the Tomb Effigies) of Encik Ali, a Malay-language, Jawi-script syair account of the Muharram commemorations of 1864 at Singapore. The only known part lithograph and part manuscript of this text, on which this edition is based, is held in the library of Leiden University, shelfmark Kl. 191. For a full discussion of this Syair, see the accompanying article by Lunn and By…
Music, Convert, and Subject in the North Sumatran Mission Field
This case study on the Toba Batak of Northern Sumatra focuses on a model 19th-century German missionary, whose success in the almost complete conversion of the Toba was predicated on a politics of selective tolerance, in which certain local codes and practices were encouraged, while others were identified for replacement with Christian practices and emblems. Through a discussion of the musical tensions involved in this process of selective exchan…
Ethnomusicology and the Indian Ocean
This article draws on the recent boom in Indian Ocean studies to build a framework for registering the Indian Ocean in ethnomusicology. We show how the human experiences of movement across the Indian Ocean expanse have conditioned the musical traditions of ports and islands, and we put ethnomusicological writings on places like Zanzibar and Oman into dialogue with those from Mauritius and Singapore. We address how ethnomusicology's area studies p…
Sounding the Indian Ocean
Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integra…
Music, Convert, and Subject in the North Sumatran Mission Field
This case study on the Toba Batak of Northern Sumatra focuses on a model 19th-century German missionary, whose success in the almost complete conversion of the Toba was predicated on a politics of selective tolerance, in which certain local codes and practices were encouraged, while others were identified for replacement with Christian practices and emblems. Through a discussion of the musical tensions involved in this process of selective exchan…
‘One story ends and another begins’
This is the first treatment of a hitherto unknown text, a hybrid lithograph-manuscript from 1864 called the Syair Tabut, or ‘Poem of the tomb effigies’, by Encik Ali. The only known copy of the Syair, held at Leiden University in the Klinkert collection, and transcribed and translated by Byl, Iskandar, Lunn, and McCallum (2017), describes the Muharram commemorations at Singapore that year. As the poet describes the procession and its consequences…
The Syair Tabut of Encik Ali
This is an annotated transcription and translation of the Syair Tabut (Poem of the Tomb Effigies) of Encik Ali, a Malay-language, Jawi-script syair account of the Muharram commemorations of 1864 at Singapore. The only known part lithograph and part manuscript of this text, on which this edition is based, is held in the library of Leiden University, shelfmark Kl. 191. For a full discussion of this Syair, see the accompanying article by Lunn and By…
Hindustani Traces in Malay Ghazal
Ethnomusicology and the Indian Ocean
This article draws on the recent boom in Indian Ocean studies to build a framework for registering the Indian Ocean in ethnomusicology. We show how the human experiences of movement across the Indian Ocean expanse have conditioned the musical traditions of ports and islands, and we put ethnomusicological writings on places like Zanzibar and Oman into dialogue with those from Mauritius and Singapore. We address how ethnomusicology's area studies p…
Sounding the Indian Ocean
Colloquy
If we open our introduction to this colloquy with a question, namely how and to what ends we might theorize global music history, it is because critical questioning seems to be at the heart of the contributions gathered here. We invited six authors to reflect on a key historical concept, process, or formation they have encountered in their globally oriented music research; as we expected, the topics and methods of their resulting contributions va…
Sounding the Indian Ocean
Sounding the Indian Ocean is the first volume to integrate the fields of ethnomusicology and Indian Ocean studies. Drawing on historical and ethnographic approaches, the book explores what music reveals about mobility, diaspora, colonialism, religious networks, media, and performance. Collectively, the chapters examine different ways the Indian Ocean might be “heard” outside of a reliance on colonial archives and elite textual traditions, integra…
Art (7 works) · History (7 works) · Asian Studies and History (6 works) · Literature (5 works) · Archaeology (3 works) · Colonialism (3 works) · Geography (3 works) · Geology (3 works) · Global Maritime and Colonial Histories (3 works) · History (3 works)