Yair Hashachar
Biographic Data
| ID | 668793 |
|---|---|
| NAME | Yair Hashachar |
| GIVEN NAMES | Yair |
| FAMILY NAME | Hashachar |
| SIGNATURE | HASHACHAR Y |
| AFFILIATIONS | “APARTHEID-STOPS” European Research Council Project, The Hebrew University of Jerusalem, Jerusalem, Israel |
| ORCID | 0000-0002-3699-7805 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Guinea Unbound: Performing Pan-African Cultural Citizenship between Algiers 1969 and the Guinean National Festivals
This article seeks to reassess the role of pan-Africanism within the national imagination of postcolonial Guinea under the presidency of Ahmed Sékou Touré. By focusing on the interplay between transnational and national dynamics within two cultural festivals – the First Pan-African Cultural Festival of Algiers in 1969 and the Guinean National Festival – pan-Africanism is recast as a constitutive component of Guinean nationalism, enduring long aft…
Playing the backbeat in Conakry: Miriam Makeba and the cultural politics of Sékou Touré's Guinea, 1968-1986
This article revisits the cultural history of Guinea in the three decades following independence through focusing on the musical activity of Miriam Makeba, the exiled South African singer who resided in the country between the years 1968 and 1986. Recent scholarship has illuminated the vast investment of the Guinean state in developing modern national culture as part of the process of decolonisation as well as the limited freedom of expression, i…
Playing the backbeat in Conakry: Miriam Makeba and the cultural politics of Sékou Touré's Guinea, 1968-1986
This article revisits the cultural history of Guinea in the three decades following independence through focusing on the musical activity of Miriam Makeba, the exiled South African singer who resided in the country between the years 1968 and 1986. Recent scholarship has illuminated the vast investment of the Guinean state in developing modern national culture as part of the process of decolonisation as well as the limited freedom of expression, i…
Playing the backbeat in Conakry: Miriam Makeba and the cultural politics of Sékou Touré's Guinea, 1968-1986
This article revisits the cultural history of Guinea in the three decades following independence through focusing on the musical activity of Miriam Makeba, the exiled South African singer who resided in the country between the years 1968 and 1986. Recent scholarship has illuminated the vast investment of the Guinean state in developing modern national culture as part of the process of decolonisation as well as the limited freedom of expression, i…
Guinea Unbound: Performing Pan-African Cultural Citizenship between Algiers 1969 and the Guinean National Festivals
This article seeks to reassess the role of pan-Africanism within the national imagination of postcolonial Guinea under the presidency of Ahmed Sékou Touré. By focusing on the interplay between transnational and national dynamics within two cultural festivals – the First Pan-African Cultural Festival of Algiers in 1969 and the Guinean National Festival – pan-Africanism is recast as a constitutive component of Guinean nationalism, enduring long aft…
African history and culture studies (2 works) · Anthropology (2 works) · Gender Studies (2 works) · Law (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · African studies and sociopolitical issues (1 works) · Archaeology (1 works) · Art (1 works)