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Mahruba T Mowtushi

Biographic Data

ID668915
NAMEMahruba T Mowtushi
GIVEN NAMESMahruba T
FAMILY NAMEMowtushi
SIGNATUREMOWTUSHI M T
AFFILIATIONSBRAC University
ORCID0000-0001-7979-9924
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Speak True to the People’

    Mahruba T Mowtushi•ARTICLE•South Asia Journal of South Asian…•2024

  • Bangladesh

    Open Access•Mafruha Mohua, Mahruba T Mowtushi•ARTICLE•The Journal of Commonwealth…•2023•References: 3

  • Bangladesh

    Open Access•Mahruba T Mowtushi, Mafruha Mohua•ARTICLE•The Journal of Commonwealth…•2022•References: 1

  • “The air we breathe, a forgotten colour”

    Open Access•Mahruba T Mowtushi•ARTICLE•Crossings A Journal of English…•2021

    This essay revisits the years 1961-1963 through a selection of poems written by Rajat Neogy for Transition magazine. There is an inherent tension in Neogy’s surrealism between its imaginative exposé of symbolic planes of abstract existence, and the distressing reality of post-Independent Uganda for the Asian expatriates. Avant-garde and ambitious, Transition was founded by Neogy in 1961 as an intellectually autonomous forum for East African liter…

  • Bangladesh

    Open Access•Mafruha Mohua, Mahruba T Mowtushi•ARTICLE•The Journal of Commonwealth…•2021•References: 10

  • Bangladesh

    Open Access•Mafruha Mohua, Mahruba T Mowtushi•ARTICLE•The Journal of Commonwealth…•2019•References: 11

  • Africa in the Bengali literary and cinematic imagination

    Mahruba T Mowtushi•ARTICLE•South Asian Diaspora•2018

    As part of the recent worldwide cinematographic trend in adapting children’s fantasy and adventure stories into films, this article offers critical insight into contemporary West Bengali film industry’s reworking of this trend in its 2013 cinematic adaptation of Chander Pahar (1937) by the Bengali novelist Bibhutibhusan Bandapadhyay (1894–1950). I argue that in this adaptation the filmmaker deliberately expands on the author’s original vision of …

  • The Urban Experience of Displacement

    Mahruba T Mowtushi•ARTICLE•South Asian Review•2018•Cited by: 1•References: 1

    Dhaka has been, of late, the subject and setting of a number of graphic narratives, comic books, and street art. This essay examines how these visual texts engage with the larger networks of the cityscape of Dhaka, its people, and their stories. I offer a comparative study of three distinct graphic texts – the comic books series called Mujib (2018), Maria Litwa’s pictographic expose of the Biharis in “Welcome to the Geneva Camp” (2013), and a ser…

  • The Urban Experience of Displacement

    Mahruba T Mowtushi•ARTICLE•South Asian Review•2018•Cited by: 1•References: 1

    Dhaka has been, of late, the subject and setting of a number of graphic narratives, comic books, and street art. This essay examines how these visual texts engage with the larger networks of the cityscape of Dhaka, its people, and their stories. I offer a comparative study of three distinct graphic texts – the comic books series called Mujib (2018), Maria Litwa’s pictographic expose of the Biharis in “Welcome to the Geneva Camp” (2013), and a ser…

  • Africa in the Bengali literary and cinematic imagination

    Mahruba T Mowtushi•ARTICLE•South Asian Diaspora•2018

    As part of the recent worldwide cinematographic trend in adapting children’s fantasy and adventure stories into films, this article offers critical insight into contemporary West Bengali film industry’s reworking of this trend in its 2013 cinematic adaptation of Chander Pahar (1937) by the Bengali novelist Bibhutibhusan Bandapadhyay (1894–1950). I argue that in this adaptation the filmmaker deliberately expands on the author’s original vision of …

  • The Urban Experience of Displacement

    Mahruba T Mowtushi•ARTICLE•South Asian Review•2018•Cited by: 1•References: 1

    Dhaka has been, of late, the subject and setting of a number of graphic narratives, comic books, and street art. This essay examines how these visual texts engage with the larger networks of the cityscape of Dhaka, its people, and their stories. I offer a comparative study of three distinct graphic texts – the comic books series called Mujib (2018), Maria Litwa’s pictographic expose of the Biharis in “Welcome to the Geneva Camp” (2013), and a ser…

  • Bangladesh

    Open Access•Mafruha Mohua, Mahruba T Mowtushi•ARTICLE•The Journal of Commonwealth…•2019•References: 11

  • “The air we breathe, a forgotten colour”

    Open Access•Mahruba T Mowtushi•ARTICLE•Crossings A Journal of English…•2021

    This essay revisits the years 1961-1963 through a selection of poems written by Rajat Neogy for Transition magazine. There is an inherent tension in Neogy’s surrealism between its imaginative exposé of symbolic planes of abstract existence, and the distressing reality of post-Independent Uganda for the Asian expatriates. Avant-garde and ambitious, Transition was founded by Neogy in 1961 as an intellectually autonomous forum for East African liter…

  • Bangladesh

    Open Access•Mafruha Mohua, Mahruba T Mowtushi•ARTICLE•The Journal of Commonwealth…•2021•References: 10

  • Bangladesh

    Open Access•Mahruba T Mowtushi, Mafruha Mohua•ARTICLE•The Journal of Commonwealth…•2022•References: 1

  • Bangladesh

    Open Access•Mafruha Mohua, Mahruba T Mowtushi•ARTICLE•The Journal of Commonwealth…•2023•References: 3

  • Speak True to the People’

    Mahruba T Mowtushi•ARTICLE•South Asia Journal of South Asian…•2024

History (8 works) · History (6 works) · Political science (6 works) · Bangladesh Politics, Society, and Development (4 works) · Art (3 works) · Literature (3 works) · Sociology (3 works) · Aesthetics (2 works) · Bengali (2 works) · Gender Studies (2 works)

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