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Jeffrey Horsley

Biographic Data

ID6692300
NAMEJeffrey Horsley
GIVEN NAMESJeffrey
FAMILY NAMEHorsley
SIGNATUREHORSLEY J
AFFILIATIONSFilm Independent
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Rei Kawakubo. Comme des Garçons. Art of the In-Between

    Amy De La Haye, Jeffrey Horsley•ARTICLE•Fashion Theory•2018

    The Metropolitan Museum of Art announced in their press release that this exhibition was 'a collaboration between Kawakubo and the MET”. It was Andrew Bolton, Head Curator of the MET’s Costume Inst

  • Re-presenting the body in fashion exhibitions

    Jeffrey Horsley•ARTICLE•International Journal of Fashion…•2014

    One of the greatest challenges faced when staging fashion exhibitions in a museum is how to address the perceived disjuncture between garment and body and the resultant loss of those narratives that derive from this interaction. In practice, the location of this problematic decontextualization often focuses on the substitute body, the mount that supports the exhibited garment, and which is predominantly realized through certain commonly employed …

  • A Fashion “ Muséographie ”

    Jeffrey Horsley•ARTICLE•Fashion Theory•2014•Cited by: 1•References: 3

    This article is taken from doctoral research executed at London College of Fashion, University of the Arts London. It discusses the delineation of a repertoire of innovative presentation modes evident in the display of fashion in the museum that I define using the terms “threshold,” “landscape,” and “object.” The presentation modes and the techniques employed to realize them, identified through comparative analysis of a sample of almost one hundr…

  • A Fashion “ Muséographie ”

    Jeffrey Horsley•ARTICLE•Fashion Theory•2014•Cited by: 1•References: 3

    This article is taken from doctoral research executed at London College of Fashion, University of the Arts London. It discusses the delineation of a repertoire of innovative presentation modes evident in the display of fashion in the museum that I define using the terms “threshold,” “landscape,” and “object.” The presentation modes and the techniques employed to realize them, identified through comparative analysis of a sample of almost one hundr…

  • Re-presenting the body in fashion exhibitions

    Jeffrey Horsley•ARTICLE•International Journal of Fashion…•2014

    One of the greatest challenges faced when staging fashion exhibitions in a museum is how to address the perceived disjuncture between garment and body and the resultant loss of those narratives that derive from this interaction. In practice, the location of this problematic decontextualization often focuses on the substitute body, the mount that supports the exhibited garment, and which is predominantly realized through certain commonly employed …

  • A Fashion “ Muséographie ”

    Jeffrey Horsley•ARTICLE•Fashion Theory•2014•Cited by: 1•References: 3

    This article is taken from doctoral research executed at London College of Fashion, University of the Arts London. It discusses the delineation of a repertoire of innovative presentation modes evident in the display of fashion in the museum that I define using the terms “threshold,” “landscape,” and “object.” The presentation modes and the techniques employed to realize them, identified through comparative analysis of a sample of almost one hundr…

  • Rei Kawakubo. Comme des Garçons. Art of the In-Between

    Amy De La Haye, Jeffrey Horsley•ARTICLE•Fashion Theory•2018

    The Metropolitan Museum of Art announced in their press release that this exhibition was 'a collaboration between Kawakubo and the MET”. It was Andrew Bolton, Head Curator of the MET’s Costume Inst

Art (3 works) · Exhibition (3 works) · Fashion and Cultural Textiles (3 works) · Visual arts (3 works) · Art history (2 works) · Computer Science (2 works) · Cultural Industries and Urban Development (2 works) · History (2 works) · History (2 works) · Literature (2 works)

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