Daniëlle Bruggeman
Biographic Data
| ID | 6692448 |
|---|---|
| NAME | Daniëlle Bruggeman |
| GIVEN NAMES | Daniëlle |
| FAMILY NAME | Bruggeman |
| SIGNATURE | BRUGGEMAN D |
| AFFILIATIONS | ArtEZ University of the Arts |
| ORCID | 0000-0002-3668-1800 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Fungi Fabrics and Living Colors
This article argues for a shift toward more ecocentric, rather anthropocentric, biodesign processes for clothing and textile design. It discusses mainstream understandings of biomimicry and biodesign, rethinking these approaches in a more-than-human and ecocentric direction. The article analyzes the cases of mycelium-based garments and bacterial textile dyes to, on the one hand, show how current biodesigners are already successfully working with …
Becoming-with
“The magic of cloth”, Peter Stallybrass writes, “is that it receives us: receives our smells, our sweat and shapes even”. Woven into the fabric, wrinkles and seams of our clothes are traces of past experiences. This contribution focuses on innovative textile design practices that reinvent the matter and meaning of fashion; and thereby redefine emotional connections between human subjects and the new material “things” they wear. Innovative design …
Agency that matters
This article explores three recent cases of alternative, critical fashion practices from the Netherlands that create more agency for makers, wearers and matter. The cases are as follows: (1) the project ‘JOIN Collective Clothes’ by designer Anouk Beckers; (2) the ‘Feminist Needlework Party’; and (3) ‘The Linen Project’. By facilitating collective, participatory practices of making, these cases explore how to give more attention to the actual mate…
Vlisco
While the idea of ‘Africa’ is sometimes a source of inspiration for brands and designers aimed at the western market, the colourful wax prints by the Dutch company Vlisco were historically made for West and Central African consumers. These fabrics, designed and produced in the Netherlands, have become interconnected with African culture and identity. Established in 1846, the company Vlisco focused on the Dutch East Indies and later West and Centr…
Long live the (im)material
This article seeks to challenge the way in which journalistic and academic discourses on the conceptual fashion of Dutch designers Viktor&Rolf privilege ideas over the materiality of fashion. Whereas Viktor&Rolf have been considered predominantly as late-twentieth-century conceptual designers, we aim to offer an alternative reading of Viktor&Rolf’s fashion practices. Through a detailed visual analysis of renowned Viktor&Rolf collections, Russian …
Fashioning Memory
“Memory is in fashion,” as cultural anthropologist Heike Jenss states on the very first page of her book Fashioning Memory: Vintage Style and Youth Culture (2015). As Jenss demonstrates, we are wit
Agency that matters
This article explores three recent cases of alternative, critical fashion practices from the Netherlands that create more agency for makers, wearers and matter. The cases are as follows: (1) the project ‘JOIN Collective Clothes’ by designer Anouk Beckers; (2) the ‘Feminist Needlework Party’; and (3) ‘The Linen Project’. By facilitating collective, participatory practices of making, these cases explore how to give more attention to the actual mate…
Long live the (im)material
This article seeks to challenge the way in which journalistic and academic discourses on the conceptual fashion of Dutch designers Viktor&Rolf privilege ideas over the materiality of fashion. Whereas Viktor&Rolf have been considered predominantly as late-twentieth-century conceptual designers, we aim to offer an alternative reading of Viktor&Rolf’s fashion practices. Through a detailed visual analysis of renowned Viktor&Rolf collections, Russian …
Long live the (im)material
This article seeks to challenge the way in which journalistic and academic discourses on the conceptual fashion of Dutch designers Viktor&Rolf privilege ideas over the materiality of fashion. Whereas Viktor&Rolf have been considered predominantly as late-twentieth-century conceptual designers, we aim to offer an alternative reading of Viktor&Rolf’s fashion practices. Through a detailed visual analysis of renowned Viktor&Rolf collections, Russian …
Fashioning Memory
“Memory is in fashion,” as cultural anthropologist Heike Jenss states on the very first page of her book Fashioning Memory: Vintage Style and Youth Culture (2015). As Jenss demonstrates, we are wit
Vlisco
While the idea of ‘Africa’ is sometimes a source of inspiration for brands and designers aimed at the western market, the colourful wax prints by the Dutch company Vlisco were historically made for West and Central African consumers. These fabrics, designed and produced in the Netherlands, have become interconnected with African culture and identity. Established in 1846, the company Vlisco focused on the Dutch East Indies and later West and Centr…
Agency that matters
This article explores three recent cases of alternative, critical fashion practices from the Netherlands that create more agency for makers, wearers and matter. The cases are as follows: (1) the project ‘JOIN Collective Clothes’ by designer Anouk Beckers; (2) the ‘Feminist Needlework Party’; and (3) ‘The Linen Project’. By facilitating collective, participatory practices of making, these cases explore how to give more attention to the actual mate…
Becoming-with
“The magic of cloth”, Peter Stallybrass writes, “is that it receives us: receives our smells, our sweat and shapes even”. Woven into the fabric, wrinkles and seams of our clothes are traces of past experiences. This contribution focuses on innovative textile design practices that reinvent the matter and meaning of fashion; and thereby redefine emotional connections between human subjects and the new material “things” they wear. Innovative design …
Fungi Fabrics and Living Colors
This article argues for a shift toward more ecocentric, rather anthropocentric, biodesign processes for clothing and textile design. It discusses mainstream understandings of biomimicry and biodesign, rethinking these approaches in a more-than-human and ecocentric direction. The article analyzes the cases of mycelium-based garments and bacterial textile dyes to, on the one hand, show how current biodesigners are already successfully working with …
Aesthetics (5 works) · Sociology (5 works) · Art (4 works) · Crafts, Textile, and Design (4 works) · Fashion and Cultural Textiles (4 works) · Anthropology (2 works) · Archaeology (2 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Clothing (2 works)