Jeannine Diego
Biographic Data
| ID | 6692489 |
|---|---|
| NAME | Jeannine Diego |
| GIVEN NAMES | Jeannine |
| FAMILY NAME | Diego |
| SIGNATURE | DIEGO J |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
My Brother’s New Clothes
A personal narrative about the dressed body of the Other, in a play with the multiple meanings of the terms and concepts involved in the manufacture of the “marielito” as assigned identity whose attributes are intricately linked to the way in which that othered body is outfitted, shrouded and clothed, both figuratively and metaphorically. In a hypothetical, one-sided dialog with the “marielito” figure of her childhood imaginary, the author stitch…
Fashion in Cuba as Revolt, and the Horror of the Nonproductive
This paper will show how fashion practice in contemporary Cuba plays out as revolt in the face of two productive axes: the mythological machine of the Cuban Revolution, and that of capitalist accumulation. After establishing how the revolt is formulated within historical materialism, pointing out the need for its demythologization, the shared ontological foundations of the capitalist and the socialist models in their horror of the nonproductive a…
No prominent works on this page.
My Brother’s New Clothes
A personal narrative about the dressed body of the Other, in a play with the multiple meanings of the terms and concepts involved in the manufacture of the “marielito” as assigned identity whose attributes are intricately linked to the way in which that othered body is outfitted, shrouded and clothed, both figuratively and metaphorically. In a hypothetical, one-sided dialog with the “marielito” figure of her childhood imaginary, the author stitch…
Fashion in Cuba as Revolt, and the Horror of the Nonproductive
This paper will show how fashion practice in contemporary Cuba plays out as revolt in the face of two productive axes: the mythological machine of the Cuban Revolution, and that of capitalist accumulation. After establishing how the revolt is formulated within historical materialism, pointing out the need for its demythologization, the shared ontological foundations of the capitalist and the socialist models in their horror of the nonproductive a…
Aesthetics (2 works) · Art (2 works) · Fashion and Cultural Textiles (2 works) · Literature (2 works) · Narrative (2 works) · Sociology (2 works) · Anarchism and Radical Politics (1 work) · Anthropology (1 work) · Brother (1 work) · Capitalism (1 work)