Ana Balda
Biographic Data
| ID | 6692495 |
|---|---|
| NAME | Ana Balda |
| GIVEN NAMES | Ana |
| FAMILY NAME | Balda |
| SIGNATURE | BALDA A |
| AFFILIATIONS | Universidad de Navarra |
| ORCID | 0000-0002-1231-3472 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Wladzio d’Attainville and the House of Balenciaga (1924–1948)
Wladzio d’Attainville (1899–1948) has traditionally been referenced in fashion historiography primarily as the romantic partner of Cristóbal Balenciaga and, occasionally, as his business associate in the Parisian House from 1936 onwards. However, until now, his figure has remained unknown, both in personal and professional terms. The absence of public statements by either Balenciaga or d’Attainville himself has hindered a deeper understanding of …
Balenciaga
This article interrogates the reputation, prevalent to this day, of Balenciaga as being anti-advertising and anti-media, according to some of his contemporary journalists as well as some of his employees and clients. The study contextualizes Balenciaga in the framework of the influence of the fashion press and the reality of the French couture licensing business in the North American fashion market from 1937 to 1968, his years on the internationa…
Balenciaga and la vie dun chien”
This article offers data, hitherto unpublished, about the professional life of Cristóbal Balenciaga during the years following the official announcement of his retirement from the world of fashion in May 1968. These are contributions that help understand some of the issues that are reflected, either in the words of the journalist, or in those of the designer himself in the interview he granted to Prudence Glynn of The Times in August 1971, and th…
Models wearing Balenciaga in the fashion press
This article analyses to what extent Cristóbal Balenciaga’s 1956 censure of the fashion press affected the subsequent coverage of his creations in major fashion magazines. The study focuses on the models that wore Balenciaga’s designs as they were displayed in L’Officiel and American editions of Vogue and Harper’s Bazaar from 1937, the date of Balenciaga’s first appearance in the fashion press, and 1968, the year the designer retired, and makes a…
Balenciaga
This article interrogates the reputation, prevalent to this day, of Balenciaga as being anti-advertising and anti-media, according to some of his contemporary journalists as well as some of his employees and clients. The study contextualizes Balenciaga in the framework of the influence of the fashion press and the reality of the French couture licensing business in the North American fashion market from 1937 to 1968, his years on the internationa…
Balenciaga and la vie dun chien”
This article offers data, hitherto unpublished, about the professional life of Cristóbal Balenciaga during the years following the official announcement of his retirement from the world of fashion in May 1968. These are contributions that help understand some of the issues that are reflected, either in the words of the journalist, or in those of the designer himself in the interview he granted to Prudence Glynn of The Times in August 1971, and th…
Models wearing Balenciaga in the fashion press
This article analyses to what extent Cristóbal Balenciaga’s 1956 censure of the fashion press affected the subsequent coverage of his creations in major fashion magazines. The study focuses on the models that wore Balenciaga’s designs as they were displayed in L’Officiel and American editions of Vogue and Harper’s Bazaar from 1937, the date of Balenciaga’s first appearance in the fashion press, and 1968, the year the designer retired, and makes a…
Models wearing Balenciaga in the fashion press
This article analyses to what extent Cristóbal Balenciaga’s 1956 censure of the fashion press affected the subsequent coverage of his creations in major fashion magazines. The study focuses on the models that wore Balenciaga’s designs as they were displayed in L’Officiel and American editions of Vogue and Harper’s Bazaar from 1937, the date of Balenciaga’s first appearance in the fashion press, and 1968, the year the designer retired, and makes a…
Balenciaga and la vie dun chien”
This article offers data, hitherto unpublished, about the professional life of Cristóbal Balenciaga during the years following the official announcement of his retirement from the world of fashion in May 1968. These are contributions that help understand some of the issues that are reflected, either in the words of the journalist, or in those of the designer himself in the interview he granted to Prudence Glynn of The Times in August 1971, and th…
Balenciaga
This article interrogates the reputation, prevalent to this day, of Balenciaga as being anti-advertising and anti-media, according to some of his contemporary journalists as well as some of his employees and clients. The study contextualizes Balenciaga in the framework of the influence of the fashion press and the reality of the French couture licensing business in the North American fashion market from 1937 to 1968, his years on the internationa…
Wladzio d’Attainville and the House of Balenciaga (1924–1948)
Wladzio d’Attainville (1899–1948) has traditionally been referenced in fashion historiography primarily as the romantic partner of Cristóbal Balenciaga and, occasionally, as his business associate in the Parisian House from 1936 onwards. However, until now, his figure has remained unknown, both in personal and professional terms. The absence of public statements by either Balenciaga or d’Attainville himself has hindered a deeper understanding of …
Fashion and Cultural Textiles (4 works) · Art (3 works) · History (3 works) · History (3 works) · Sociology (3 works) · Advertising (2 works) · Aesthetics (2 works) · Art, Politics, and Modernism (2 works) · Bazaar (2 works) · Biography (2 works)