Katixa Agirre
Biographic Data
| ID | 6696472 |
|---|---|
| NAME | Katixa Agirre |
| GIVEN NAMES | Katixa |
| FAMILY NAME | Agirre |
| SIGNATURE | AGIRRE K |
| AFFILIATIONS | University of the Basque Country |
| ORCID | 0000-0003-3842-3917 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Streaming Minority Languages: The Case of Basque Language Cinema on Netflix
This article explores the way Basque language cinema is adapting to streaming platforms, focusing on the case of the three Basque language films that have made it to Netflix: Loreak (2014), Handia (2017) and Errementari (2018). Firstly, it explains Netflix particularities and its emphasis on diversity, among other reasons that could explain the platform’s interest in these particular films. Secondly, it describes the way these aforementioned film…
Am I supposed to say how shocked I was?’ Audience responses to Mad Men
This essay is the result of an audience research study of the US television series Mad Men. Based on the assumption that there is a postfeminist sensibility embedded within the show, the study uses data drawn from focus groups and email questionnaires with US, UK and Spanish viewers of Mad Men, to determine to what extent this sensibility is felt and shared – if at all – by different viewers. The essay concludes that the postfeminist sensibility …
Whenever a man takes you to lunch around here’: Tracing post-feminist sensibility in Mad Men
This article argues that a post-feminist spirit underlies the representation of the successful television series Mad Men (AMC 2007–). Set in the flourishing New York advertising industry during the early 1960s, Mad Men depicts the rapid changes experienced in gender identities and cross-gender relationships in both the public and private spheres. This article contends that a post-feminist sensibility – a term proposed by Rosalind Gill – can be fe…
Am I supposed to say how shocked I was?’ Audience responses to Mad Men
This essay is the result of an audience research study of the US television series Mad Men. Based on the assumption that there is a postfeminist sensibility embedded within the show, the study uses data drawn from focus groups and email questionnaires with US, UK and Spanish viewers of Mad Men, to determine to what extent this sensibility is felt and shared – if at all – by different viewers. The essay concludes that the postfeminist sensibility …
Whenever a man takes you to lunch around here’: Tracing post-feminist sensibility in Mad Men
This article argues that a post-feminist spirit underlies the representation of the successful television series Mad Men (AMC 2007–). Set in the flourishing New York advertising industry during the early 1960s, Mad Men depicts the rapid changes experienced in gender identities and cross-gender relationships in both the public and private spheres. This article contends that a post-feminist sensibility – a term proposed by Rosalind Gill – can be fe…
Whenever a man takes you to lunch around here’: Tracing post-feminist sensibility in Mad Men
This article argues that a post-feminist spirit underlies the representation of the successful television series Mad Men (AMC 2007–). Set in the flourishing New York advertising industry during the early 1960s, Mad Men depicts the rapid changes experienced in gender identities and cross-gender relationships in both the public and private spheres. This article contends that a post-feminist sensibility – a term proposed by Rosalind Gill – can be fe…
Am I supposed to say how shocked I was?’ Audience responses to Mad Men
This essay is the result of an audience research study of the US television series Mad Men. Based on the assumption that there is a postfeminist sensibility embedded within the show, the study uses data drawn from focus groups and email questionnaires with US, UK and Spanish viewers of Mad Men, to determine to what extent this sensibility is felt and shared – if at all – by different viewers. The essay concludes that the postfeminist sensibility …
Streaming Minority Languages: The Case of Basque Language Cinema on Netflix
This article explores the way Basque language cinema is adapting to streaming platforms, focusing on the case of the three Basque language films that have made it to Netflix: Loreak (2014), Handia (2017) and Errementari (2018). Firstly, it explains Netflix particularities and its emphasis on diversity, among other reasons that could explain the platform’s interest in these particular films. Secondly, it describes the way these aforementioned film…
Aesthetics (3 works) · Art (3 works) · Literature (3 works) · Sociology (3 works) · Gender Studies (2 works) · Gender Studies (2 works) · Gender, Feminism, and Media (2 works) · Law (2 works) · Law (2 works) · Media studies (2 works)