Dongwook Song
Biographic Data
| ID | 6696961 |
|---|---|
| NAME | Dongwook Song |
| GIVEN NAMES | Dongwook |
| FAMILY NAME | Song |
| SIGNATURE | SONG D |
| AFFILIATIONS | Simon Fraser University |
| ORCID | 0000-0002-2313-4162 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Hall’s encoding/decoding model revisited in the digital platform age: De/encoding, lincoding, affordecoding, and en/decoding
This paper updates Stuart Hall’s encoding/decoding model to examine the reproduction and contestation of dominant-hegemonic ideologies in the digital platform era. While Hall’s model analyzed television broadcasting within mass media systems, today’s communication processes are fundamentally transformed by the rise of platform capitalism. A key contribution involves replacing Hall’s ‘relations of production’ with ‘social positions’ to address int…
Korean Band Music Surfing the Korean Wave: The Case of the Korean Band Survival Audition TV Program, Great Seoul Invasion
This study examines the cultural politics of Great Seoul Invasion , a 2022 Korean band survival reality TV program produced by Mnet with Master Plan Music Group funding to create global Korean bands amid the rising Korean Wave. Through textual analysis, this study explores the program’s commodification of Korean band music while promoting diverse styles. To this end, the paper introduces “K-wavification,” combining “Korean Wave” and “commodificat…
The Vacillating Imagination of ‘Us' in Black Panther (2018)
This article analyzes the cultural politics of the vacillating imagination of “us” represented in Black Panther, released in 2018. This popular cultural text centralizes Blackness in that it refers to instances of Black oppression in the early 1990s. Amid the contradiction between the film's Black-centered content and the form of the Hollywood superhero genre, the imagination of “us” in the film expands and shrinks. Drawing on concepts developed …
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The Vacillating Imagination of ‘Us' in Black Panther (2018)
This article analyzes the cultural politics of the vacillating imagination of “us” represented in Black Panther, released in 2018. This popular cultural text centralizes Blackness in that it refers to instances of Black oppression in the early 1990s. Amid the contradiction between the film's Black-centered content and the form of the Hollywood superhero genre, the imagination of “us” in the film expands and shrinks. Drawing on concepts developed …
Korean Band Music Surfing the Korean Wave: The Case of the Korean Band Survival Audition TV Program, Great Seoul Invasion
This study examines the cultural politics of Great Seoul Invasion , a 2022 Korean band survival reality TV program produced by Mnet with Master Plan Music Group funding to create global Korean bands amid the rising Korean Wave. Through textual analysis, this study explores the program’s commodification of Korean band music while promoting diverse styles. To this end, the paper introduces “K-wavification,” combining “Korean Wave” and “commodificat…
Hall’s encoding/decoding model revisited in the digital platform age: De/encoding, lincoding, affordecoding, and en/decoding
This paper updates Stuart Hall’s encoding/decoding model to examine the reproduction and contestation of dominant-hegemonic ideologies in the digital platform era. While Hall’s model analyzed television broadcasting within mass media systems, today’s communication processes are fundamentally transformed by the rise of platform capitalism. A key contribution involves replacing Hall’s ‘relations of production’ with ‘social positions’ to address int…
Ideology (2 works) · Politics (2 works) · Sociology (2 works) · Aesthetics (1 works) · Art (1 works) · Art history (1 works) · Artificial Intelligence (1 works) · Asian Culture and Media Studies (1 works) · Cinema and Media Studies (1 works) · Commodification (1 works)