Kaiyang Xu
Biographic Data
| ID | 6696964 |
|---|---|
| NAME | Kaiyang Xu |
| GIVEN NAMES | Kaiyang |
| FAMILY NAME | Xu |
| SIGNATURE | XU K |
| AFFILIATIONS | University of Southern California |
| ORCID | 0009-0002-5351-4745 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Xianchang as a politics of representation
This paper examines the politics of representation in Chinese non-state documentaries within the cross-cultural context of the Global South. Through analyzing About Bintou (2019) and Bobby’s Factory (2021), I argue that Chinese non-state documentaries produce a knowledge structure of representing Sino-African interactions and perceiving Global South connectivity through the xianchang (on-the-spot realism) aesthetic and practices. Xianchang—a core…
Interrogating the ‘African troupe’
As Korean popular music (K-pop) continues to internationalize, its multicultural elements have sparked discussions among Chinese K-pop fans. In their talks on K-pop girl group NATURE's performance video ‘Rica Rica’, they disregarded the South Asian influences in the video. Instead, they identify the performance as an example of an ‘African troupe.’ What discursive formations give rise to Chinese fans’ Africanization of this music video performed …
Data and Transparency Key for China's Pollution Clean-up
No prominent works on this page.
Data and Transparency Key for China's Pollution Clean-up
Interrogating the ‘African troupe’
As Korean popular music (K-pop) continues to internationalize, its multicultural elements have sparked discussions among Chinese K-pop fans. In their talks on K-pop girl group NATURE's performance video ‘Rica Rica’, they disregarded the South Asian influences in the video. Instead, they identify the performance as an example of an ‘African troupe.’ What discursive formations give rise to Chinese fans’ Africanization of this music video performed …
Xianchang as a politics of representation
This paper examines the politics of representation in Chinese non-state documentaries within the cross-cultural context of the Global South. Through analyzing About Bintou (2019) and Bobby’s Factory (2021), I argue that Chinese non-state documentaries produce a knowledge structure of representing Sino-African interactions and perceiving Global South connectivity through the xianchang (on-the-spot realism) aesthetic and practices. Xianchang—a core…
China (3 works) · Action plan (1 work) · Aesthetics (1 work) · Ambiguity (1 work) · Art (1 work) · Asian Culture and Media Studies (1 work) · Business (1 work) · China's Ethnic Minorities and Relations (1 work) · China's Global Influence and Migration (1 work) · Climate Change Policy and Economics (1 work)