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Stephanie Garrison

Biographic Data

ID6696971
NAMEStephanie Garrison
GIVEN NAMESStephanie
FAMILY NAMEGarrison
SIGNATUREGARRISON S
AFFILIATIONSUniversity of Aberdeen
ORCID0000-0002-0647-515X
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Knitting together

    Open Access•Catherine Wallace, Claire Wallace et al.•ARTICLE•Journal of Tourism and Cultural…•2026•References: 2

    Knitting is recognised as one kind of Intangible Cultural Heritage in Scotland (ICH). Knitting qualifies as ICH since patterns were held as tacit knowledge and passed down through families and locations. This tradition has been threatened by social and economic change, but has experienced a recent revival through the use of internet resources, attracting new enthusiasts worldwide as a popular craft hobby. The digitisation of traditional ICH means…

  • Story-weaving

    Open Access•Stephanie Garrison, Catherine Wallace•ARTICLE•International Journal of Cultural…•2024•References: 9

    This article proposes to understand popular culture-inspired tourism as a process of ‘story-weaving’. Exploring the role of stories from the perspectives of tour guides and visitors, we analyse the collaborative process in which biographical stories, places and histories become entwined. Drawing on Walter Fisher's ‘narrative paradigm’ and his understanding of humans as ‘ homo narrans ’ or storytelling animals, we argue that story-weaving goes bey…

  • Introduction

    Open Access•Catherine Wallace, Claire Wallace et al.•ARTICLE•Tourism Culture & Communication•2023

    The coronavirus pandemic (SARS-CoV-2) has been disastrous for cultural tourism worldwide as many cultural tourist venues are concentrated in cities and have had to close along with tourismrelated facilities such as hospitality businesses and hotels. There has been a widespread fear of travel and social contact. The comparative research drawn upon in this article suggests that new trends might be emerging with rural and natural attractions becomin…

  • Media Tourism and (Covid)-19

    Open Access•Stephanie Garrison, Catherine Wallace et al.•ARTICLE•Tourism Culture & Communication•2023

    The growth of Scotland’s creative industries within the last decade has resulted in a significant rise in media tourism, a subsector of cultural tourism that focuses on tourism inspired by media such as novels, films, and television series. In March 2020 when Scotland’s tourism and hospitality industry would typically be preparing to welcome visitors, the nation went into a national lockdown due to mounting concerns over the rapidly spreading cor…

  • Life as a Networked Fan

    Open Access•Stephanie Garrison, Stephanie T Garrison et al.•ARTICLE•AoIR Selected Papers of Internet…•2020

    In studying how fans live their lives online, a common lens has been to consider fandom as fan community (e.g. Sullivan, 2019). Modern digital social networks appear to be complicating this picture, with some scholars suggesting that online fandoms are fragmenting (e.g. Coppa, 2014). In this work, we report on a variety of case studies carried out using ethnographic and survey methods. These examine examples of fans whose networks span both onlin…

  • Beyond fandom

    Stephanie Garrison•ARTICLE•The Journal of Fandom Studies•2020

    With the release of the novel Outlander (1991) by American author Diana Gabaldon and the subsequent television adaptation in 2014, Scotland has experienced an exponential rise in screen tourism which is being dubbed the ‘ Outlander effect’. While the steady influx of Outlander fans is mostly perceived as an economic boon, media outlets and heritage agencies have begun reporting damages to Scottish heritage sites due to increased Outlander -relate…

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  • Life as a Networked Fan

    Open Access•Stephanie Garrison, Stephanie T Garrison et al.•ARTICLE•AoIR Selected Papers of Internet…•2020

    In studying how fans live their lives online, a common lens has been to consider fandom as fan community (e.g. Sullivan, 2019). Modern digital social networks appear to be complicating this picture, with some scholars suggesting that online fandoms are fragmenting (e.g. Coppa, 2014). In this work, we report on a variety of case studies carried out using ethnographic and survey methods. These examine examples of fans whose networks span both onlin…

  • Beyond fandom

    Stephanie Garrison•ARTICLE•The Journal of Fandom Studies•2020

    With the release of the novel Outlander (1991) by American author Diana Gabaldon and the subsequent television adaptation in 2014, Scotland has experienced an exponential rise in screen tourism which is being dubbed the ‘ Outlander effect’. While the steady influx of Outlander fans is mostly perceived as an economic boon, media outlets and heritage agencies have begun reporting damages to Scottish heritage sites due to increased Outlander -relate…

  • Introduction

    Open Access•Catherine Wallace, Claire Wallace et al.•ARTICLE•Tourism Culture & Communication•2023

    The coronavirus pandemic (SARS-CoV-2) has been disastrous for cultural tourism worldwide as many cultural tourist venues are concentrated in cities and have had to close along with tourismrelated facilities such as hospitality businesses and hotels. There has been a widespread fear of travel and social contact. The comparative research drawn upon in this article suggests that new trends might be emerging with rural and natural attractions becomin…

  • Media Tourism and (Covid)-19

    Open Access•Stephanie Garrison, Catherine Wallace et al.•ARTICLE•Tourism Culture & Communication•2023

    The growth of Scotland’s creative industries within the last decade has resulted in a significant rise in media tourism, a subsector of cultural tourism that focuses on tourism inspired by media such as novels, films, and television series. In March 2020 when Scotland’s tourism and hospitality industry would typically be preparing to welcome visitors, the nation went into a national lockdown due to mounting concerns over the rapidly spreading cor…

  • Story-weaving

    Open Access•Stephanie Garrison, Catherine Wallace•ARTICLE•International Journal of Cultural…•2024•References: 9

    This article proposes to understand popular culture-inspired tourism as a process of ‘story-weaving’. Exploring the role of stories from the perspectives of tour guides and visitors, we analyse the collaborative process in which biographical stories, places and histories become entwined. Drawing on Walter Fisher's ‘narrative paradigm’ and his understanding of humans as ‘ homo narrans ’ or storytelling animals, we argue that story-weaving goes bey…

  • Knitting together

    Open Access•Catherine Wallace, Claire Wallace et al.•ARTICLE•Journal of Tourism and Cultural…•2026•References: 2

    Knitting is recognised as one kind of Intangible Cultural Heritage in Scotland (ICH). Knitting qualifies as ICH since patterns were held as tacit knowledge and passed down through families and locations. This tradition has been threatened by social and economic change, but has experienced a recent revival through the use of internet resources, attracting new enthusiasts worldwide as a popular craft hobby. The digitisation of traditional ICH means…

Tourism (5 works) · Business (4 works) · Diverse Aspects of Tourism Research (4 works) · Media studies (3 works) · Sociology (3 works) · 2019-20 coronavirus outbreak (2 works) · Advertising (2 works) · Digital Marketing and Social Media (2 works) · Ethnography (2 works) · Fandom (2 works)

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