Stefano Riccioni
Biographic Data
| ID | 6700511 |
|---|---|
| NAME | Stefano Riccioni |
| GIVEN NAMES | Stefano |
| FAMILY NAME | Riccioni |
| SIGNATURE | RICCIONI S |
| AFFILIATIONS | Faculty of Arts, Scuola Normale Superiore Piazza dei Cavalieri 7, I-56126 Pisa Italy |
| ORCID | 0000-0001-9585-5551 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
The Word in the Image
Using a new methodological approach, called epiconography, the present paper examines the most significant monuments produced in Rome during the Gregorian reform: the mosaics of S. Clemente and S. Maria in Trastevere. This approach situates the works in the historical and cultural contexts of their production and attempts to resolve the divide between “visible” and “legible”, figure and text, which has been present for so long in art-historical s…
Conclusion
This volume originated in a conference, “Twelfth-Century Rome, Mirror of the Mediterranean Religions;” that conference was initiated by the realization that while historians have long recognized the imaginative force of Rome within Christendom, they have not placed those notions within the broader context of the importance of the city across Mediterranean communities and religions in this transformational period When placed in that context, the c…
Rewriting Antiquity, Renewing Rome. The Identity of the Eternal City through Visual Art, Monumental Inscriptions and the Mirabilia
During the eleventh and twelfth centuries the Church began a process of renovation ( renovatio ) and the city of Rome was given new meanings. Antiquity is part of the identity of the Eternal City; the reuse or reframing of aspects of antiquity inevitably transformed the image of Rome. Public spaces, architecture and objects were given new Christian readings. Inscriptions, present both in sacred and secular settings, played an important role. A si…
La décoration monumentale à Rome aux xie et xiie siècles
Cet article traite des recherches publiées ces dix dernières années sur les décorations monumentales (peintures et mosaïques) réalisées à Rome entre le milieu du xie siècle et le milieu du xiie siècle, autrement dit à l’époque de ce qu’il est convenu d’appeler la « réforme grégorienne ». Après un bref compte rendu des principales publications d’histoire de l’art les plus récentes, le texte se poursuit avec le traitement des thèmes abordés par l’h…
Rewriting Antiquity, Renewing Rome. The Identity of the Eternal City through Visual Art, Monumental Inscriptions and the Mirabilia
During the eleventh and twelfth centuries the Church began a process of renovation ( renovatio ) and the city of Rome was given new meanings. Antiquity is part of the identity of the Eternal City; the reuse or reframing of aspects of antiquity inevitably transformed the image of Rome. Public spaces, architecture and objects were given new Christian readings. Inscriptions, present both in sacred and secular settings, played an important role. A si…
La décoration monumentale à Rome aux xie et xiie siècles
Cet article traite des recherches publiées ces dix dernières années sur les décorations monumentales (peintures et mosaïques) réalisées à Rome entre le milieu du xie siècle et le milieu du xiie siècle, autrement dit à l’époque de ce qu’il est convenu d’appeler la « réforme grégorienne ». Après un bref compte rendu des principales publications d’histoire de l’art les plus récentes, le texte se poursuit avec le traitement des thèmes abordés par l’h…
The Word in the Image
Using a new methodological approach, called epiconography, the present paper examines the most significant monuments produced in Rome during the Gregorian reform: the mosaics of S. Clemente and S. Maria in Trastevere. This approach situates the works in the historical and cultural contexts of their production and attempts to resolve the divide between “visible” and “legible”, figure and text, which has been present for so long in art-historical s…
Conclusion
This volume originated in a conference, “Twelfth-Century Rome, Mirror of the Mediterranean Religions;” that conference was initiated by the realization that while historians have long recognized the imaginative force of Rome within Christendom, they have not placed those notions within the broader context of the importance of the city across Mediterranean communities and religions in this transformational period When placed in that context, the c…
Rewriting Antiquity, Renewing Rome. The Identity of the Eternal City through Visual Art, Monumental Inscriptions and the Mirabilia
During the eleventh and twelfth centuries the Church began a process of renovation ( renovatio ) and the city of Rome was given new meanings. Antiquity is part of the identity of the Eternal City; the reuse or reframing of aspects of antiquity inevitably transformed the image of Rome. Public spaces, architecture and objects were given new Christian readings. Inscriptions, present both in sacred and secular settings, played an important role. A si…
Art (4 works) · Historical and Religious Studies of Rome (3 works) · Art history (2 works) · Classics (2 works) · Classics (2 works) · History (2 works) · Humanities (2 works) · Medieval History and Crusades (2 works) · Philosophy (2 works) · Visual arts (2 works)