Hadley Galbraith
Biographic Data
| ID | 6700620 |
|---|---|
| NAME | Hadley Galbraith |
| GIVEN NAMES | Hadley |
| FAMILY NAME | Galbraith |
| SIGNATURE | GALBRAITH H |
| AFFILIATIONS | University of Iowa |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Re-articulating the Repertoire for a Generation Removed
I address the complex trauma of slavery’s descendants and the haunting unknowns regarding subjective enslaved memory, examining quests taken by descendants to access memory by engaging with knowledge located in bodily practice. I take as the backbone to my approach a philosophy called Bigidi, developed by Guadeloupean choreographer and scholar Lénablou. Bigidi is a term spoken when someone slips but stays upright. This process is enacted continuo…
Retraverser le gouffre sur la terre
This article argues that in Chamoiseau’s novel L’Esclave vieil homme et le molosse (1997), the author translates Glissant’s concept of the « gouffre » into a liquid, earthly rhizome. The forest in the novel is the site of a race which reveals the transformation of chaotic subjectivity into an elderly enslaved man’s adaptive prowess, a ferocious animal’s empathy for his former prey, and a plantation master’s recognition of his mistaken rigidity. T…
Odious Caribbean Women and the Palpable Aesthetics of Transgression, by Gladys M. Francis
No prominent works on this page.
Odious Caribbean Women and the Palpable Aesthetics of Transgression, by Gladys M. Francis
Retraverser le gouffre sur la terre
This article argues that in Chamoiseau’s novel L’Esclave vieil homme et le molosse (1997), the author translates Glissant’s concept of the « gouffre » into a liquid, earthly rhizome. The forest in the novel is the site of a race which reveals the transformation of chaotic subjectivity into an elderly enslaved man’s adaptive prowess, a ferocious animal’s empathy for his former prey, and a plantation master’s recognition of his mistaken rigidity. T…
Re-articulating the Repertoire for a Generation Removed
I address the complex trauma of slavery’s descendants and the haunting unknowns regarding subjective enslaved memory, examining quests taken by descendants to access memory by engaging with knowledge located in bodily practice. I take as the backbone to my approach a philosophy called Bigidi, developed by Guadeloupean choreographer and scholar Lénablou. Bigidi is a term spoken when someone slips but stays upright. This process is enacted continuo…
Art (3 works) · Aesthetics (2 works) · Caribbean and African Literature and Culture (2 works) · History (2 works) · Philosophy (2 works) · Sociology (2 works) · African Studies and Ethnography (1 work) · Agency (philosophy (1 work) · Archaeology (1 work) · Computer Science (1 work)