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Yujie Qi

Biographic Data

ID6703120
NAMEYujie Qi
GIVEN NAMESYujie
FAMILY NAMEQi
SIGNATUREQI Y
AFFILIATIONSHong Kong Polytechnic University
ORCID0000-0002-3486-2130
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS1
AUTHOR COUNT2
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Bibliometric analysis of research trends in Chinese cultural and creative industries

    Open Access•Yujie Qi, Yiyang Qi•ARTICLE•Frontiers in Communication•2025

    Over the past two decades, research on cultural and creative industries (CCIs) has grown significantly, with China emerging as a focal area. This study employs a bibliometric analysis of Scopus data to map research trends in Chinese CCIs, examining co-authorship, co-occurrence, citation, bibliographic coupling, and co-citation patterns. The findings highlight the dominance of Western contributions and influential authors, as well as strong themat…

  • Emotion prosody and viewer engagement in film narrative

    Feng William Dezheng, Dezheng Feng et al.•ARTICLE•Narrative Inquiry•2014•Cited by: 1•References: 5

    This study adopts a social semiotic approach to model the dynamics of character emotion and the discursive mechanisms of viewer engagement in film narrative. Drawing upon the systemic functional semiotics (Halliday and Matthiessen, 2004), this paper proposes a metafunctional framework to elucidate how film characters’ emotions are ideationally construed, interpersonally enacted, and textually organized as a “prosody”. The explication of emotion p…

  • Emotion prosody and viewer engagement in film narrative

    Feng William Dezheng, Dezheng Feng et al.•ARTICLE•Narrative Inquiry•2014•Cited by: 1•References: 5

    This study adopts a social semiotic approach to model the dynamics of character emotion and the discursive mechanisms of viewer engagement in film narrative. Drawing upon the systemic functional semiotics (Halliday and Matthiessen, 2004), this paper proposes a metafunctional framework to elucidate how film characters’ emotions are ideationally construed, interpersonally enacted, and textually organized as a “prosody”. The explication of emotion p…

  • Emotion prosody and viewer engagement in film narrative

    Feng William Dezheng, Dezheng Feng et al.•ARTICLE•Narrative Inquiry•2014•Cited by: 1•References: 5

    This study adopts a social semiotic approach to model the dynamics of character emotion and the discursive mechanisms of viewer engagement in film narrative. Drawing upon the systemic functional semiotics (Halliday and Matthiessen, 2004), this paper proposes a metafunctional framework to elucidate how film characters’ emotions are ideationally construed, interpersonally enacted, and textually organized as a “prosody”. The explication of emotion p…

  • Bibliometric analysis of research trends in Chinese cultural and creative industries

    Open Access•Yujie Qi, Yiyang Qi•ARTICLE•Frontiers in Communication•2025

    Over the past two decades, research on cultural and creative industries (CCIs) has grown significantly, with China emerging as a focal area. This study employs a bibliometric analysis of Scopus data to map research trends in Chinese CCIs, examining co-authorship, co-occurrence, citation, bibliographic coupling, and co-citation patterns. The findings highlight the dominance of Western contributions and influential authors, as well as strong themat…

Computer Science (2 works) · Sociology (2 works) · Cognitive psychology (1 works) · Conferences and Exhibitions Management (1 works) · Creative industries (1 works) · Cultural Industries and Urban Development (1 works) · Data science (1 works) · Empathy (1 works) · Explication (1 works) · Humor Studies and Applications (1 works)

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