Anne Sivuoja-Gunaratnam
Biographic Data
| ID | 6708757 |
|---|---|
| NAME | Anne Sivuoja-Gunaratnam |
| GIVEN NAMES | Anne |
| FAMILY NAME | Sivuoja-Gunaratnam |
| SIGNATURE | SIVUOJA-GUNARATNAM A |
| AFFILIATIONS | University of Helsinki |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 0 |
Voicing Le Neutre in the invisible choir in Richard Wagner’s Parsifal
Roland Barthes was suspicious about the ability of music and voice to signify, as revealed in many of his writings. However, his somewhat limited views on music and voice need not to restrain from profiting his semiotic theorising and his reasoning, which can be adapted for musical instances in ways not envisaged by Barthes. The Neutral (Le Neutre) is a recurrent topic in Barthes’s oeuvre from his first book, Writing Zero Degree (1953) up to his …
In search of a musical subject in serial music
The problem of subject is studied within the frame of A.J. Gremas's theory of uttered enunciation (énonciation énoncée). An author can create in the work of art simulated imitations of the enunciation, including also its subject or persona. Likewise, Umberto Eco claims, an author can be manifested in the utterance as a textual strategy, more precisely as a recognizable style or idiolect. Textual strategies for creating the author's musical simula…
No prominent works on this page.
In search of a musical subject in serial music
The problem of subject is studied within the frame of A.J. Gremas's theory of uttered enunciation (énonciation énoncée). An author can create in the work of art simulated imitations of the enunciation, including also its subject or persona. Likewise, Umberto Eco claims, an author can be manifested in the utterance as a textual strategy, more precisely as a recognizable style or idiolect. Textual strategies for creating the author's musical simula…
Voicing Le Neutre in the invisible choir in Richard Wagner’s Parsifal
Roland Barthes was suspicious about the ability of music and voice to signify, as revealed in many of his writings. However, his somewhat limited views on music and voice need not to restrain from profiting his semiotic theorising and his reasoning, which can be adapted for musical instances in ways not envisaged by Barthes. The Neutral (Le Neutre) is a recurrent topic in Barthes’s oeuvre from his first book, Writing Zero Degree (1953) up to his …
Art (2 works) · Linguistics (2 works) · Literature (2 works) · Musical (2 works) · Philosophy (2 works) · Acoustics (1 works) · Art history (1 works) · Choir (1 works) · Computer Science (1 works) · Digital Humanities and Scholarship (1 works)