Karl Joosep Pihel
Biographic Data
| ID | 6708799 |
|---|---|
| NAME | Karl Joosep Pihel |
| GIVEN NAMES | Karl Joosep |
| FAMILY NAME | Pihel |
| SIGNATURE | PIHEL K J |
| AFFILIATIONS | University of Tartu |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Music semiotics in a minor key
Music semiotics spends considerable effort on establishing musical signification through relatively stable – if non-logocentric – concepts such as the musical ‘topic’. Like any signs, these concepts entail a stable generalized type which are instantiated in particular tokens. In contrast, Deleuze and Guattari praise music as an artform particularly suitable for deterritorialization, for becoming or events which do not proceed by the logic of the …
Narratiiv ja topos Heino Elleri “Sümfoonilises legendis”
This article focuses on the narrative analysis of late-romantic instrumental music. Having adopted the structuralist-semiotic conception of musical narrative as proposed by Byron Almén (2008) as the transvaluation of an opposing hierarchy, and the concept of the musical topic as musical elements with specific stylistic-cultural associations, I analyse the expressive form of Heino Eller’s early symphonic poem “Symphonic Legend” (1923). Narrative l…
No prominent works on this page.
Narratiiv ja topos Heino Elleri “Sümfoonilises legendis”
This article focuses on the narrative analysis of late-romantic instrumental music. Having adopted the structuralist-semiotic conception of musical narrative as proposed by Byron Almén (2008) as the transvaluation of an opposing hierarchy, and the concept of the musical topic as musical elements with specific stylistic-cultural associations, I analyse the expressive form of Heino Eller’s early symphonic poem “Symphonic Legend” (1923). Narrative l…
Music semiotics in a minor key
Music semiotics spends considerable effort on establishing musical signification through relatively stable – if non-logocentric – concepts such as the musical ‘topic’. Like any signs, these concepts entail a stable generalized type which are instantiated in particular tokens. In contrast, Deleuze and Guattari praise music as an artform particularly suitable for deterritorialization, for becoming or events which do not proceed by the logic of the …
Diverse Musicological Studies (2 works) · Music History and Culture (2 works) · Musical (2 works) · Aesthetics (1 work) · Art (1 work) · Computer Science (1 work) · Deleuze and Guattari (1 work) · Deterritorialization (1 work) · History (1 work) · History (1 work)