Allan Vurma
Biographic Data
| ID | 6708870 |
|---|---|
| NAME | Allan Vurma |
| GIVEN NAMES | Allan |
| FAMILY NAME | Vurma |
| SIGNATURE | VURMA A |
| AFFILIATIONS | Estonian Academy of Music and Theatre |
| ORCID | 0000-0002-0654-7870 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Managing Reverberant Acoustics in Singing by Extending the Plosive Closures in Vowel–Plosive–Vowel Sequences
Poor intelligibility of sung text often occurs in reverberant rooms due to masking by the reverberation tail of the singer’s voice. This study investigates whether elongating the plosive closure phase can improve the recognition of voiceless plosives in vowel–plosive–vowel sequences sung in reverberant rooms. We hypothesize that a longer plosive closure allows the reverberation tail from the preceding vowel to decay before the plosive burst, thus…
Vokaalide ja klusiilide intensiivsussuhted laulmisel teksti arusaadavuse mõjutajana
Aim. The objective of this study is to ascertain (1) whether there is a tendency in operatic singing by which, compared to speaking, the intensity of all speech sounds is greater, but the intensity of voiceless plosive bursts increases proportionally less than that of vowels, which may make the recognition of plosives more difficult; and (2) whether pronouncing the bursts of voiceless plosives more strongly would improve their recognition. Method…
Spectral envelope consistency singing diatonic scales with different dynamics contours
This study was motivated by the frequently expressed opinion that in the classical style of singing one of the main objectives is the evenness of the voice over wide pitch and dynamic ranges. With an empirical experiment, we aimed to discover whether and how the acoustical parameters related to voice timbre change when professional male vocalists fulfil vocal tasks with changing pitch and dynamics. We asked 11 participants to produce one-octave D…
Hääle spektri mähiskõvera kuju stabiilsus varieeruva dünaamikaga heliredelite laulmisel
Käesoleva töö
Priorities in Voice Training
The voices of 42 students studying classical opera singing at the Estonian Academy of Music were investigated to find any objectively definable qualities possibly correlating with the length of training. Each student's singing of a four-bar seven-word initial phrase from a well-known Estonian classical solo was recorded. The recordings were digitalized and subjected to acoustic analysis yielding the long-term average spectrum (LTAS) for each voic…
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Priorities in Voice Training
The voices of 42 students studying classical opera singing at the Estonian Academy of Music were investigated to find any objectively definable qualities possibly correlating with the length of training. Each student's singing of a four-bar seven-word initial phrase from a well-known Estonian classical solo was recorded. The recordings were digitalized and subjected to acoustic analysis yielding the long-term average spectrum (LTAS) for each voic…
Hääle spektri mähiskõvera kuju stabiilsus varieeruva dünaamikaga heliredelite laulmisel
Käesoleva töö
Spectral envelope consistency singing diatonic scales with different dynamics contours
This study was motivated by the frequently expressed opinion that in the classical style of singing one of the main objectives is the evenness of the voice over wide pitch and dynamic ranges. With an empirical experiment, we aimed to discover whether and how the acoustical parameters related to voice timbre change when professional male vocalists fulfil vocal tasks with changing pitch and dynamics. We asked 11 participants to produce one-octave D…
Vokaalide ja klusiilide intensiivsussuhted laulmisel teksti arusaadavuse mõjutajana
Aim. The objective of this study is to ascertain (1) whether there is a tendency in operatic singing by which, compared to speaking, the intensity of all speech sounds is greater, but the intensity of voiceless plosive bursts increases proportionally less than that of vowels, which may make the recognition of plosives more difficult; and (2) whether pronouncing the bursts of voiceless plosives more strongly would improve their recognition. Method…
Managing Reverberant Acoustics in Singing by Extending the Plosive Closures in Vowel–Plosive–Vowel Sequences
Poor intelligibility of sung text often occurs in reverberant rooms due to masking by the reverberation tail of the singer’s voice. This study investigates whether elongating the plosive closure phase can improve the recognition of voiceless plosives in vowel–plosive–vowel sequences sung in reverberant rooms. We hypothesize that a longer plosive closure allows the reverberation tail from the preceding vowel to decay before the plosive burst, thus…
Art (4 works) · Acoustics (3 works) · Computer Science (3 works) · Psychology (3 works) · Singing (3 works) · Speech recognition (3 works) · Visual arts (3 works) · Vowel (3 works) · Audiology (2 works) · Formant (2 works)