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Pekka Gronow

Biographic Data

ID671771
NAMEPekka Gronow
GIVEN NAMESPekka
FAMILY NAMEGronow
SIGNATUREGRONOW P
AFFILIATIONSUniversity of Helsinki
VERIFIEDNo
TOTAL WORKS47
TOTAL CITATIONS52
AUTHOR COUNT47
EDITOR COUNT0
FIRST PUBLICATION YEAR1963
LATEST PUBLICATION YEAR2022
H-INDEX4
  • Zagreb, London, Berlin, New York

    Open Access•Pekka Gronow, Risto Pekka Pennanen•ARTICLE•Arti musices•2022

    The record industry grew rapidly between 1900 and 1914. Although record production was concentrated in the largest industrialised countries, companies set out to create a global market by recording songs in all major languages. Typically, they sent their engineers on expeditions which took them to major European cities. They made recordings with local artists selected by the company’s local representatives. The recording masters were shipped to a…

  • Pie laika … Now is the time. The singing revolution on Latvian radio and television

    Open Access•Pekka Gronow, Jānis Daugavietis•ARTICLE•Popular Music•2020

    In the Soviet Union, song competitions had an important role in presenting new artists and songs. The Mikrofona aptauja contest of Latvian radio (1968–1994) was the main forum for new Latvian pop music. It had a reputation for expressing nationalist feelings within the limits of Soviet censorship. In 1988, with the rise of new political movements in the Soviet Union, the competition became a venue for the Latvian independence movement. The winnin…

  • The World’s Greatest Sound Archive

    Open Access•Pekka Gronow•ARTICLE•Traditiones•2014

    During the era of 78 rpm shellac records, circa 1900 to 1955, at least half a million different records were produced in most countries of the world. This paper discusses the growth of the industry, the selection of artists and repertoire, the archiving of historical recordings, and their significance for musicological research. Many recordings are probably permanently lost and surviving examples are scattered across many private and public archi…

  • Inventing recorded music

    Open Access•Pekka Gronow, Björn Englund•ARTICLE•Popular Music•2007•Cited by: 9

    The first Scandinavian records appeared in 1899. By 1925, over 27,000 sides had been made in the region, and recordings had become an established part of musical life. Half of the recordings were made by the Gramophone Company, the market leader, but there were at least a dozen competing firms. The companies had to find out by trial and error what types of music would be attractive to customers. Early recording artists were mostly well-known pers…

  • Savolainen, Jarmo

    Pekka Gronow•CHAPTER•The new Grove dictionary of music…•2003

  • Pyysalo, Severi

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Johansson, Markku

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Sarmanto, Pekka

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Linkola, Jukka (jazz)

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Aho, Erkki

    Pekka Gronow•CHAPTER•The new Grove dictionary of music…•2003

  • Sarpila, Antti

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Kukko, Sakari

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Umo

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Vesala, Edward

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Lindström, Erik

    Pekka Gronow•CHAPTER•The new Grove dictionary of music…•2003

  • Perkiömäki, Jari

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Donner, (Henrik) Otto (jazz)

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Uotila, Jukka-Pekka

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Koivistoinen, Eero

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Pethman, Esa

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Paakkunainen, Seppo

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Björkenheim, Raoul

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Sarmanto, Heikki

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Aaltonen, Juhani

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Perko, Jukka

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

Next
  • The record industry

    Open Access•Pekka Gronow•ARTICLE•Popular Music•1983•Cited by: 23•References: 2

    Common sense tells us that sound recording — that is, records and cassettes - is a mass medium just newspapers, films or television. In industrialised countries, listening to records is just as much part of everyday life as reading the newspaper or listening to the radio. A Swedish survey made in 1976 (Anon. 1979, pp. 85–8) indicates that, on average, Swedish adults spent thirty-five minutes daily reading newspapers, thirty-three minutes listenin…

  • The Record Industry Comes to the Orient

    Pekka Gronow•ARTICLE•Ethnomusicology•1981•Cited by: 12

    sailed from England to India on the S/S Coromandel. Gaisberg was a representative of the Gramophone Company, founded only four years before in London by a group of English and American businessmen who held the rights to Emile Berliner's disc recording patents.1 Gaisberg already had a remarkable career in the record industry. He had started as an accompanist with the Columbia Phonograph Company in Washington, D.C., making cylinder recordings while…

  • Inventing recorded music

    Open Access•Pekka Gronow, Björn Englund•ARTICLE•Popular Music•2007•Cited by: 9

    The first Scandinavian records appeared in 1899. By 1925, over 27,000 sides had been made in the region, and recordings had become an established part of musical life. Half of the recordings were made by the Gramophone Company, the market leader, but there were at least a dozen competing firms. The companies had to find out by trial and error what types of music would be attractive to customers. Early recording artists were mostly well-known pers…

  • World Music/Musics of the World

    Open Access•Pekka Gronow, Max Peter Baumann•ARTICLE•Notes•1995•Cited by: 6

  • Popular Music in Finland

    Pekka Gronow•ARTICLE•Ethnomusicology•1973•Cited by: 1

    thoroughly studied, but little is known about the relative influence of these traditions. As to popular (commercial) music, no scholarly attention has ever been paid to it, even down to the present day (Seeger 1965:10). The aim of this paper is to present a preliminary survey of Finnish popular music. The orientation is more sociological than musicological. Detailed musicological analysis will not be found in this study, and the approach is macro…

  • Phonograph Records as a Source for Musicological Research

    Pekka Gronow•ARTICLE•Ethnomusicology•1963•Cited by: 1

    Records have an extremely important influence on popular and even folk music. However, it is my impression that scholars have not paid enough attention to the study of commercial and other processed phonograph records and the role they have had in the formation, evolution and diffusion of various musical styles. There are several important record listings available, covering different musical styles, but the work has seldom been continued beyond …

  • Phonograph Records as a Source for Musicological Research

    Pekka Gronow•ARTICLE•Ethnomusicology•1963•Cited by: 1

    Records have an extremely important influence on popular and even folk music. However, it is my impression that scholars have not paid enough attention to the study of commercial and other processed phonograph records and the role they have had in the formation, evolution and diffusion of various musical styles. There are several important record listings available, covering different musical styles, but the work has seldom been continued beyond …

  • Jazz - die magische Musik; Ein Leitfaden durch den Jazz

    Pekka Gronow, Alfons M Dauer•ARTICLE•Ethnomusicology•1963

  • Jazz Discographies

    Pekka Gronow, Brian A L Rust et al.•ARTICLE•Ethnomusicology•1966

  • Jazz in Deutschland. Die deutsche Jazz-Chronik 1900-1960

    Pekka Gronow, Horst H Lange et al.•ARTICLE•Ethnomusicology•1968

  • International Trends in Popular Music

    Pekka Gronow•ARTICLE•Ethnomusicology•1969

    It is well known that certain forms of popular music today have an enormous international audience. In the heyday of the Beatles their records could probably be heard in any part of the world. But it is equally obvious that there are several competing trends in popular music, and their popularity varies from one country to another. However, except for references to rock and roll and similar forms of banality that have triggered riots in Indonesia…

  • Early Jazz. Its Roots and Musical Development

    Frank J Gillis, Pekka Gronow et al.•ARTICLE•Ethnomusicology•1969

  • Jazz in der Kirche? Zur Erneuerung der Kirchenmusik

    Pekka Gronow, Rochus Hagen•ARTICLE•Ethnomusicology•1969

  • Musikvanor i Sverige [Musical Behavior in Sweden], in Rikskonserter

    Pekka Gronow, Goran Nylof•ARTICLE•Ethnomusicology•1970

  • Maailman musiikkia (Music of the World)

    Peter Crossley-Holland, Pekka Gronow•ARTICLE•Ethnomusicology•1973

  • Popular Music in Finland

    Pekka Gronow•ARTICLE•Ethnomusicology•1973•Cited by: 1

    thoroughly studied, but little is known about the relative influence of these traditions. As to popular (commercial) music, no scholarly attention has ever been paid to it, even down to the present day (Seeger 1965:10). The aim of this paper is to present a preliminary survey of Finnish popular music. The orientation is more sociological than musicological. Detailed musicological analysis will not be found in this study, and the approach is macro…

  • Ethnic Music and Soviet Record Industry

    Pekka Gronow•ARTICLE•Ethnomusicology•1975

    ommercial record companies have issued a large number of ethnic and folk music recordings ever since the beginning of the 20th century. The Gramophone Company established subsidiaries in many Asian countries already before World War I. Some of the resulting recordings-now extremely rare-have been discussed by Dennis (1969). During the 1920s and 1930s the leading European and U.S. companies issued recordings practically everywhere. Particularly no…

  • Draumkvaede

    Pekka Gronow, Michael Barnes•ARTICLE•Ethnomusicology•1980

  • The Record Industry Comes to the Orient

    Pekka Gronow•ARTICLE•Ethnomusicology•1981•Cited by: 12

    sailed from England to India on the S/S Coromandel. Gaisberg was a representative of the Gramophone Company, founded only four years before in London by a group of English and American businessmen who held the rights to Emile Berliner's disc recording patents.1 Gaisberg already had a remarkable career in the record industry. He had started as an accompanist with the Columbia Phonograph Company in Washington, D.C., making cylinder recordings while…

  • The record industry

    Open Access•Pekka Gronow•ARTICLE•Popular Music•1983•Cited by: 23•References: 2

    Common sense tells us that sound recording — that is, records and cassettes - is a mass medium just newspapers, films or television. In industrialised countries, listening to records is just as much part of everyday life as reading the newspaper or listening to the radio. A Swedish survey made in 1976 (Anon. 1979, pp. 85–8) indicates that, on average, Swedish adults spent thirty-five minutes daily reading newspapers, thirty-three minutes listenin…

  • Stability in Musical Improvisation

    Pekka Gronow, Svend Nielsen et al.•ARTICLE•Ethnomusicology•1984

  • Rytmisk musik i Gronland

    Pekka Gronow, Birgit Lynge•ARTICLE•Ethnomusicology•1986

  • The Music Industry

    Open Access•Pekka Gronow•ARTICLE•Popular Music•1987

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • World Music/Musics of the World

    Open Access•Pekka Gronow, Max Peter Baumann•ARTICLE•Notes•1995•Cited by: 6

  • The record industry in Finland, 1945-1960

    Open Access•Pekka Gronow•ARTICLE•Popular Music•1995•References: 1

    As a child growing up in Finland in the 1950s, I heard all the popular songs of the day. We did not have a record player until 1957, and even then we never bought any pop records, as my father preferred classical music and I was getting interested in jazz. But the songs were all around us, and they still haunt me today. Many of them are now available on Compact Discs, and they are played regularly on the radio. Some of them are just Finnish langu…

  • Savolainen, Jarmo

    Pekka Gronow•CHAPTER•The new Grove dictionary of music…•2003

  • Pyysalo, Severi

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Johansson, Markku

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Sarmanto, Pekka

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Linkola, Jukka (jazz)

    Pekka Gronow, Atro Mikkola•CHAPTER•The new Grove dictionary of music…•2003

  • Aho, Erkki

    Pekka Gronow•CHAPTER•The new Grove dictionary of music…•2003

Art (20 works) · Research in Social Sciences (16 works) · History (15 works) · Musicology and Musical Analysis (15 works) · Computer Science (12 works) · Music History and Culture (10 works) · Jazz (8 works) · Political science (8 works) · Art history (7 works) · Diverse Musicological Studies (6 works)

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