Justin Crumbaugh
Biographic Data
| ID | 6722323 |
|---|---|
| NAME | Justin Crumbaugh |
| GIVEN NAMES | Justin |
| FAMILY NAME | Crumbaugh |
| SIGNATURE | CRUMBAUGH J |
| AFFILIATIONS | Mount Holyoke College |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 8 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Spanish Fascist Writing
Prime risks
Spectacle as spectralization, untimely timelessness
This article asserts an intrinsic link between the spectacle and the specter. More precisely, I argue that the spectacularization of some dead bodies spectralizes others and that the spectacle's pursuit of a sense of timelessness necessarily brings about its own shadowy untimeliness. The beloved classic Spanish film Marcelino pan y vino (Ladislao Vajda, 1955), when examined against the backdrop of the Franco regime's official ideology of the mid-…
The Mobile Nation
Tatjana Pavlovic. The Mobile Nation: Espana cambia de piel (1954–1964). (Bristol, UK: Intellect, 2011). 221 pp. ISBN: 978-1-84150-324-0 Studies that set out to explain Francoism as such are doomed
Afterlife and Bare Life
Destination Dictatorship
Destination dictatorship
Spain is Different
During Spain's massive economic liberalization of the 1960s and early 70s, official pro-regime film participated in the symbolizing of tourism as a propagandistic emblem of Spain's rapid modernization. It was a paradoxical attempt to reaffirm an atavistic and univocal nationalist agenda through an appeal to international capitalism, also known as the official policy of 'development without change'. Strategically combining the culture industry and…
Spain is Different
During Spain's massive economic liberalization of the 1960s and early 70s, official pro-regime film participated in the symbolizing of tourism as a propagandistic emblem of Spain's rapid modernization. It was a paradoxical attempt to reaffirm an atavistic and univocal nationalist agenda through an appeal to international capitalism, also known as the official policy of 'development without change'. Strategically combining the culture industry and…
An Aesthetic of Industrial Ruins in Bilbao
The 1997 inauguration of the Guggenheim Museum Bilbao heralded the definitive reconversion of Bilbao's depressed, post-industrial landscape into a European cultural center and tourist hotspot. In the midst of Bilbao's civic beautification project, director Daniel Calparsoro released his first feature film, Leap into the Void (Salto al vaco), shot in the city's most impoverished community. The film's raw, gritty camera-work, coloured filters, and …
Afterlife and Bare Life
Prime risks
Spectacle as spectralization, untimely timelessness
This article asserts an intrinsic link between the spectacle and the specter. More precisely, I argue that the spectacularization of some dead bodies spectralizes others and that the spectacle's pursuit of a sense of timelessness necessarily brings about its own shadowy untimeliness. The beloved classic Spanish film Marcelino pan y vino (Ladislao Vajda, 1955), when examined against the backdrop of the Franco regime's official ideology of the mid-…
An Aesthetic of Industrial Ruins in Bilbao
The 1997 inauguration of the Guggenheim Museum Bilbao heralded the definitive reconversion of Bilbao's depressed, post-industrial landscape into a European cultural center and tourist hotspot. In the midst of Bilbao's civic beautification project, director Daniel Calparsoro released his first feature film, Leap into the Void (Salto al vaco), shot in the city's most impoverished community. The film's raw, gritty camera-work, coloured filters, and …
Spain is Different
During Spain's massive economic liberalization of the 1960s and early 70s, official pro-regime film participated in the symbolizing of tourism as a propagandistic emblem of Spain's rapid modernization. It was a paradoxical attempt to reaffirm an atavistic and univocal nationalist agenda through an appeal to international capitalism, also known as the official policy of 'development without change'. Strategically combining the culture industry and…
Spain is Different
During Spain's massive economic liberalization of the 1960s and early 70s, official pro-regime film participated in the symbolizing of tourism as a propagandistic emblem of Spain's rapid modernization. It was a paradoxical attempt to reaffirm an atavistic and univocal nationalist agenda through an appeal to international capitalism, also known as the official policy of 'development without change'. Strategically combining the culture industry and…
Destination dictatorship
Destination Dictatorship
Afterlife and Bare Life
The Mobile Nation
Tatjana Pavlovic. The Mobile Nation: Espana cambia de piel (1954–1964). (Bristol, UK: Intellect, 2011). 221 pp. ISBN: 978-1-84150-324-0 Studies that set out to explain Francoism as such are doomed
Prime risks
Spectacle as spectralization, untimely timelessness
This article asserts an intrinsic link between the spectacle and the specter. More precisely, I argue that the spectacularization of some dead bodies spectralizes others and that the spectacle's pursuit of a sense of timelessness necessarily brings about its own shadowy untimeliness. The beloved classic Spanish film Marcelino pan y vino (Ladislao Vajda, 1955), when examined against the backdrop of the Franco regime's official ideology of the mid-…
Spanish Fascist Writing
Art (6 works) · Law (6 works) · Political science (6 works) · Spanish Culture and Identity (5 works) · Art history (4 works) · History (4 works) · History (4 works) · Italian Fascism and Post-war Society (4 works) · Law (4 works) · Cinema and Media Studies (3 works)