Bryan Cameron
Biographic Data
| ID | 6722341 |
|---|---|
| NAME | Bryan Cameron |
| GIVEN NAMES | Bryan |
| FAMILY NAME | Cameron |
| SIGNATURE | CAMERON B |
| AFFILIATIONS | University of Cambridge |
| ORCID | 0000-0002-5936-5544 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Complaint and the Bourbon Monarchy in (Post-)Recessionary Cinema from Spain
This essay traces the expression of censorious affects toward Spain's emeritus King Juan Carlos I in two films produced in the aftermath of the Great Recession (2007–2009). Centring on Santiago Sierra and Jorge Galindo's Los encargados (2012) and El Rey (Alberto San Juan & Valentín Álvarez, 2018), I argue that cinematic forms of complaint provide an ideal vehicle for contesting the future of the Bourbon monarchy. In the context of the (post-)cris…
Elliptical life in (post)crisis cinema from Spain
This essay tracks the long-term effects of the global financial crash of 2008 in two films produced during the so-called postcrisis period in Spain (2014–). Borrowing Lauren Berlant’s term elliptical life, I examine Adán Aliaga and David Valero’s El arca de Noé (2014) and Polo Menárguez’s El plan (2019), which center on the disorientations facing recently fired security guards who draw up blueprints or make plans for alternative imaginaries in th…
Documenting Podemos and the Rise of DIY Politics in Fernando León de Aranoa’s Política, manual de instrucciones (2016)
Centring on Fernando León de Aranoa’s Política, manual de instrucciones, this article examines what Antonio Gramsci has called the ‘crisis of authority’ in the context of (post-)crisis Spain. I claim that León de Aranoa’s documentary feature not only registers the emergence of Podemos as a nascent political party, but also attempts to legitimize Podemos as the only viable parliamentary alternative to the hegemony of the Partido Popular (PP) and t…
Spain in crisis
This is the author accepted manuscript. The final version is available via Taylor & Francis at http://www.tandfonline.com/doi/full/10.1080/14636204.2014.1002601
Spain in crisis
This is the author accepted manuscript. The final version is available via Taylor & Francis at http://www.tandfonline.com/doi/full/10.1080/14636204.2014.1002601
Elliptical life in (post)crisis cinema from Spain
This essay tracks the long-term effects of the global financial crash of 2008 in two films produced during the so-called postcrisis period in Spain (2014–). Borrowing Lauren Berlant’s term elliptical life, I examine Adán Aliaga and David Valero’s El arca de Noé (2014) and Polo Menárguez’s El plan (2019), which center on the disorientations facing recently fired security guards who draw up blueprints or make plans for alternative imaginaries in th…
Spain in crisis
This is the author accepted manuscript. The final version is available via Taylor & Francis at http://www.tandfonline.com/doi/full/10.1080/14636204.2014.1002601
Documenting Podemos and the Rise of DIY Politics in Fernando León de Aranoa’s Política, manual de instrucciones (2016)
Centring on Fernando León de Aranoa’s Política, manual de instrucciones, this article examines what Antonio Gramsci has called the ‘crisis of authority’ in the context of (post-)crisis Spain. I claim that León de Aranoa’s documentary feature not only registers the emergence of Podemos as a nascent political party, but also attempts to legitimize Podemos as the only viable parliamentary alternative to the hegemony of the Partido Popular (PP) and t…
Elliptical life in (post)crisis cinema from Spain
This essay tracks the long-term effects of the global financial crash of 2008 in two films produced during the so-called postcrisis period in Spain (2014–). Borrowing Lauren Berlant’s term elliptical life, I examine Adán Aliaga and David Valero’s El arca de Noé (2014) and Polo Menárguez’s El plan (2019), which center on the disorientations facing recently fired security guards who draw up blueprints or make plans for alternative imaginaries in th…
Complaint and the Bourbon Monarchy in (Post-)Recessionary Cinema from Spain
This essay traces the expression of censorious affects toward Spain's emeritus King Juan Carlos I in two films produced in the aftermath of the Great Recession (2007–2009). Centring on Santiago Sierra and Jorge Galindo's Los encargados (2012) and El Rey (Alberto San Juan & Valentín Álvarez, 2018), I argue that cinematic forms of complaint provide an ideal vehicle for contesting the future of the Bourbon monarchy. In the context of the (post-)cris…
Art (4 works) · Law (4 works) · Law (4 works) · Political science (4 works) · Context (archaeology (3 works) · History (3 works) · History (3 works) · Politics (3 works) · Archaeology (2 works) · Humanities (2 works)