Jacob Ki Nielsen
Biographic Data
| ID | 6722619 |
|---|---|
| NAME | Jacob Ki Nielsen |
| GIVEN NAMES | Jacob Ki |
| FAMILY NAME | Nielsen |
| SIGNATURE | NIELSEN J K |
| AFFILIATIONS | Russian State Agrarian Correspondence University |
| ORCID | 0000-0003-3545-8663 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
The Return of the Returnee
This article concerns itself with representations of adult overseas adoptee returnees in South Korean cinema since liberation until the present/2015. Attempting to historicize these, it questions how the adoptee returnee?as a gendered and ethnoracialized figure?comments on text-embedded ideologies of Koreanness and kinship at different moments in time. It argues that adoptee returnee representation, as deployed in male-authored nation narration, …
Silent but imperial
This article centers on an analysis of the French–Hong Kongese- neo-noir crime film Vengeance from 2009. It demonstrates how the representations of inter-ethno-racial kinship in the film can be seen as a transgression and challenge of an existing mono-racial ideology. Thus, I argue that the film thematizes a subtle yet dichotomously structured friction between two imperial ethno-racial ideologies, namely between an emerging Christian version of m…
No prominent works on this page.
Silent but imperial
This article centers on an analysis of the French–Hong Kongese- neo-noir crime film Vengeance from 2009. It demonstrates how the representations of inter-ethno-racial kinship in the film can be seen as a transgression and challenge of an existing mono-racial ideology. Thus, I argue that the film thematizes a subtle yet dichotomously structured friction between two imperial ethno-racial ideologies, namely between an emerging Christian version of m…
The Return of the Returnee
This article concerns itself with representations of adult overseas adoptee returnees in South Korean cinema since liberation until the present/2015. Attempting to historicize these, it questions how the adoptee returnee?as a gendered and ethnoracialized figure?comments on text-embedded ideologies of Koreanness and kinship at different moments in time. It argues that adoptee returnee representation, as deployed in male-authored nation narration, …
Gender Studies (2 works) · Movie theater (2 works) · Political science (2 works) · Sociology (2 works) · Anthropology (1 work) · Art (1 work) · Art history (1 work) · Asian Culture and Media Studies (1 work) · Diaspora, migration, transnational identity (1 work) · Embodied cognition (1 work)