Solveig Dunkel
Biographic Data
| ID | 6723328 |
|---|---|
| NAME | Solveig Dunkel |
| GIVEN NAMES | Solveig |
| FAMILY NAME | Dunkel |
| SIGNATURE | DUNKEL S |
| AFFILIATIONS | Université de Picardie Jules Verne |
| ORCID | 0009-0008-9596-8706 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Matthew J. Wolf-Meyer, American Disgust
International audience
Absalon, Absalon
Faulkner’s France, France’s Faulkner
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Vomiting the crying’
The bodies of William Faulkner’s characters are porous; as the novels unravel, bodies seem to be deflating, in an effusion of blood, vomit, sweat, spit, milk and tears. ‘These oozings and flowings and outpourings’, to use André Bleikasten’s expression, highlight the malleability, or maybe the impossibility, of fixed bodies and fixed forms in Faulkner’s novels. Even more so, these horrific discharges of fluids articulate the interdependence of lan…
Reading from the Guts
The founder of the Saturday Review of Literature, Henry Seidel Canby, had strong opinions about William Faulkner’s novels, to say the least. Sanctuary, especially, ignited his ire. In a scathing essay entitled “The School of Cruelty,” published in March 1931, Canby deplored what he perceived as the terrible situation of Southern writers, declaring Faulkner the figurehead of a so-called “American sadism.” “So it will be with this new sadism,” Canb…
Faulkner’s France
“Faulkner’s France” (“La France de Faulkner”) is the third international conference on William Faulkner organized by research team CORPUS (UR 4295) at the University of Picardy Jules Verne in Amiens, France. It was the result of a close cooperation between international scholars from France, Scotland and the USA, namely Frédérique Spill and Astrid Maes (University of Picardy Jules Verne, France), Peter Lurie (University of Richmond, USA) and Bern…
Ahmed Honeini, William Faulkner and Mortality
is adapted from a PhD thesis defended in 2018 at Royal Holloway, University of London. The book opens with several extracts from interviews in which Faulkner emphasized the correlation between the ephemeral lifespan of men and the permanence of works of art. The main impulse for writing, Faulkner claimed, would stem from a "selfish" desire to "lift up man's heart for his own benefit because in that way he can say No to death" (Faulkner, 2004 181)…
No prominent works on this page.
Ahmed Honeini, William Faulkner and Mortality
is adapted from a PhD thesis defended in 2018 at Royal Holloway, University of London. The book opens with several extracts from interviews in which Faulkner emphasized the correlation between the ephemeral lifespan of men and the permanence of works of art. The main impulse for writing, Faulkner claimed, would stem from a "selfish" desire to "lift up man's heart for his own benefit because in that way he can say No to death" (Faulkner, 2004 181)…
Faulkner’s France
“Faulkner’s France” (“La France de Faulkner”) is the third international conference on William Faulkner organized by research team CORPUS (UR 4295) at the University of Picardy Jules Verne in Amiens, France. It was the result of a close cooperation between international scholars from France, Scotland and the USA, namely Frédérique Spill and Astrid Maes (University of Picardy Jules Verne, France), Peter Lurie (University of Richmond, USA) and Bern…
Reading from the Guts
The founder of the Saturday Review of Literature, Henry Seidel Canby, had strong opinions about William Faulkner’s novels, to say the least. Sanctuary, especially, ignited his ire. In a scathing essay entitled “The School of Cruelty,” published in March 1931, Canby deplored what he perceived as the terrible situation of Southern writers, declaring Faulkner the figurehead of a so-called “American sadism.” “So it will be with this new sadism,” Canb…
Faulkner’s France, France’s Faulkner
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Vomiting the crying’
The bodies of William Faulkner’s characters are porous; as the novels unravel, bodies seem to be deflating, in an effusion of blood, vomit, sweat, spit, milk and tears. ‘These oozings and flowings and outpourings’, to use André Bleikasten’s expression, highlight the malleability, or maybe the impossibility, of fixed bodies and fixed forms in Faulkner’s novels. Even more so, these horrific discharges of fluids articulate the interdependence of lan…
Absalon, Absalon
Matthew J. Wolf-Meyer, American Disgust
International audience
Art (4 works) · History (3 works) · Literature (2 works) · Philosophy (2 works) · Psychology of Moral and Emotional Judgment (2 works) · Acoustics (1 work) · Anger (1 work) · Criminology (1 work) · Cruelty (1 work) · Digital Humanities and Scholarship (1 work)