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Kathleen Connellan

Biographic Data

ID6727674
NAMEKathleen Connellan
GIVEN NAMESKathleen
FAMILY NAMEConnellan
SIGNATURECONNELLAN K
AFFILIATIONSSchool of Art, Architecture and Design, The University of South Australia, Adelaide, Australia
ORCID0000-0003-0964-8842
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2020
H-INDEX1
  • Love and motherhood in Louis Theroux’s Mothers on the Edge

    D W Riggs, Clare Bartholomaeus et al.•ARTICLE•Feminist Media Studies•2020•References: 1

    In our ethnography of a purpose-built mother-baby psychiatric unit (MBU), love was rarely a topic raised by the mothers and staff we spoke with (Kathleen Connellan, Clemence Due, Damien W. Riggs an

  • My Room, My Home, My Self

    Kathleen Connellan•ARTICLE•Home Cultures•2018•Cited by: 1•References: 18

    The material culture of home cannot be supplanted in its entirety when moving into an aged care facility. When the time comes, the decision of what to take and what to leave behind is not simple. This article presents the balance between practical and emotional considerations in the choice and presence of personal objects in the rooms of residents. Intersubjective relationships between material objects in the room and the people who enter that sp…

  • White, the Color of Whispers

    Kathleen Connellan•ARTICLE•TEXTILE•2012

    This article focuses on the color white as a choice for interpreting subtleties in visual art practice. It questions the application of white cloth as an aid towards the disclosure and nondisclosure of cruelty. French philosopher Michel Foucault's lectures at the Collège de France, as well as some of his earlier work, form the basis for a discussion on the invisibility of power relations. The Australian artists included in this article are only u…

  • Surveillance, Security and Violence in a Mental Health Ward

    Open Access•Clemence Due, Kathleen Connellan et al.•ARTICLE•Surveillance & Society•2012•Cited by: 1•References: 2

    This paper discusses the potential relationship between surveillance techniques, the enactment of security measures, and patient violence in mental health wards. The paper draws upon data from an ethnographic study conducted in a purpose-built mental health unit containing two wards (one locked and one open) in South Australia, and argues that acts of violence observed in the unit were typically preceded by an incident within the unit that was re…

  • My Room, My Home, My Self

    Kathleen Connellan•ARTICLE•Home Cultures•2018•Cited by: 1•References: 18

    The material culture of home cannot be supplanted in its entirety when moving into an aged care facility. When the time comes, the decision of what to take and what to leave behind is not simple. This article presents the balance between practical and emotional considerations in the choice and presence of personal objects in the rooms of residents. Intersubjective relationships between material objects in the room and the people who enter that sp…

  • Surveillance, Security and Violence in a Mental Health Ward

    Open Access•Clemence Due, Kathleen Connellan et al.•ARTICLE•Surveillance & Society•2012•Cited by: 1•References: 2

    This paper discusses the potential relationship between surveillance techniques, the enactment of security measures, and patient violence in mental health wards. The paper draws upon data from an ethnographic study conducted in a purpose-built mental health unit containing two wards (one locked and one open) in South Australia, and argues that acts of violence observed in the unit were typically preceded by an incident within the unit that was re…

  • White, the Color of Whispers

    Kathleen Connellan•ARTICLE•TEXTILE•2012

    This article focuses on the color white as a choice for interpreting subtleties in visual art practice. It questions the application of white cloth as an aid towards the disclosure and nondisclosure of cruelty. French philosopher Michel Foucault's lectures at the Collège de France, as well as some of his earlier work, form the basis for a discussion on the invisibility of power relations. The Australian artists included in this article are only u…

  • Surveillance, Security and Violence in a Mental Health Ward

    Open Access•Clemence Due, Kathleen Connellan et al.•ARTICLE•Surveillance & Society•2012•Cited by: 1•References: 2

    This paper discusses the potential relationship between surveillance techniques, the enactment of security measures, and patient violence in mental health wards. The paper draws upon data from an ethnographic study conducted in a purpose-built mental health unit containing two wards (one locked and one open) in South Australia, and argues that acts of violence observed in the unit were typically preceded by an incident within the unit that was re…

  • My Room, My Home, My Self

    Kathleen Connellan•ARTICLE•Home Cultures•2018•Cited by: 1•References: 18

    The material culture of home cannot be supplanted in its entirety when moving into an aged care facility. When the time comes, the decision of what to take and what to leave behind is not simple. This article presents the balance between practical and emotional considerations in the choice and presence of personal objects in the rooms of residents. Intersubjective relationships between material objects in the room and the people who enter that sp…

  • Love and motherhood in Louis Theroux’s Mothers on the Edge

    D W Riggs, Clare Bartholomaeus et al.•ARTICLE•Feminist Media Studies•2020•References: 1

    In our ethnography of a purpose-built mother-baby psychiatric unit (MBU), love was rarely a topic raised by the mothers and staff we spoke with (Kathleen Connellan, Clemence Due, Damien W. Riggs an

Ethnography (3 works) · Psychology (3 works) · Sociology (3 works) · Anthropology (2 works) · Unit (ring theory (2 works) · Aesthetics (1 work) · Art (1 work) · Art history (1 work) · Chemistry (1 work) · Child Abuse and Trauma (1 work)

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