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N Parvathy

Biographic Data

ID6727699
NAMEN Parvathy
GIVEN NAMESN
FAMILY NAMEParvathy
SIGNATUREPARVATHY N
AFFILIATIONSIndian Institute of Technology Patna
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Stardom and media trial

    Parvathy N, N Parvathy et al.•ARTICLE•Media Asia•2024

    The Indian audience has always been enamored by the silver screen, creating a “cult-like following of actors and actresses” (Dickey, 1993, p. 52) which dates back to the 1930s. The Hindi film indus

  • Female Fandom and the Anxieties of Agency

    Open Access•Parvathy N, N Parvathy et al.•ARTICLE•Feminist Encounters A Journal of…•2024•References: 14

    Academic research on fandom has sometimes stereotyped female fans, potentially influenced by the gendered dichotomy in fan studies. In the context of Indian fan discourses, there has been insufficient academic engagement with gender which poses a significant gap that requires attention. This article explores the intersection of gender, specifically focusing on women, in Indian fan studies. Through a feminist lens, the article undertakes a textual…

  • Locating epistemic (dis)privilege of female fans in select Indian narratives

    Parvathy N, N Parvathy et al.•ARTICLE•Feminist Media Studies•2023•Cited by: 2•References: 12

    As a relatively new category in academia, discourses on Indian Fan culture, both digital and non-digital, are filled with apprehensive perforations. Rapid globalization and the digitization of media have enabled western fan practices as well as a scholarship to permeate into Indian culture but with a twist of patriarchy fused into it. Despite the involvement of female fans in the first wave of western fan practices, feminist cultural studies rare…

  • Locating epistemic (dis)privilege of female fans in select Indian narratives

    Parvathy N, N Parvathy et al.•ARTICLE•Feminist Media Studies•2023•Cited by: 2•References: 12

    As a relatively new category in academia, discourses on Indian Fan culture, both digital and non-digital, are filled with apprehensive perforations. Rapid globalization and the digitization of media have enabled western fan practices as well as a scholarship to permeate into Indian culture but with a twist of patriarchy fused into it. Despite the involvement of female fans in the first wave of western fan practices, feminist cultural studies rare…

  • Locating epistemic (dis)privilege of female fans in select Indian narratives

    Parvathy N, N Parvathy et al.•ARTICLE•Feminist Media Studies•2023•Cited by: 2•References: 12

    As a relatively new category in academia, discourses on Indian Fan culture, both digital and non-digital, are filled with apprehensive perforations. Rapid globalization and the digitization of media have enabled western fan practices as well as a scholarship to permeate into Indian culture but with a twist of patriarchy fused into it. Despite the involvement of female fans in the first wave of western fan practices, feminist cultural studies rare…

  • Stardom and media trial

    Parvathy N, N Parvathy et al.•ARTICLE•Media Asia•2024

    The Indian audience has always been enamored by the silver screen, creating a “cult-like following of actors and actresses” (Dickey, 1993, p. 52) which dates back to the 1930s. The Hindi film indus

  • Female Fandom and the Anxieties of Agency

    Open Access•Parvathy N, N Parvathy et al.•ARTICLE•Feminist Encounters A Journal of…•2024•References: 14

    Academic research on fandom has sometimes stereotyped female fans, potentially influenced by the gendered dichotomy in fan studies. In the context of Indian fan discourses, there has been insufficient academic engagement with gender which poses a significant gap that requires attention. This article explores the intersection of gender, specifically focusing on women, in Indian fan studies. Through a feminist lens, the article undertakes a textual…

Cinema and Media Studies (3 works) · Law (3 works) · Media studies (3 works) · Political science (3 works) · Sociology (3 works) · South Asian Cinema and Culture (3 works) · Fandom (2 works) · Gender Studies (2 works) · Agency (philosophy) (1 work) · Art (1 work)

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