Terrie Man-Chi Cheung
Biographic Data
| ID | 6730365 |
|---|---|
| NAME | Terrie Man-Chi Cheung |
| GIVEN NAMES | Terrie Man-Chi |
| FAMILY NAME | Cheung |
| SIGNATURE | CHEUNG T M |
| AFFILIATIONS | City University of Hong Kong, Hong Kong |
| ORCID | 0000-0002-1216-1261 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Relentless Melt
In recent years, a growing trend of abstract and experimental animation has emerged in Hong Kong, with an increasing number of works produced over the last two decades, particularly since around 2015. This article examines how Hong Kong artists approach abstract animation, the predominant aesthetic trends, and how these trends relate to or diverge from Western traditions in visual music, following pioneers such as Hans Richter, Viking Eggeling, O…
Expanded stereoscopy
3D cinema has been defined by a quest for increased realism and immersion and the recreation of realistic depth perception. However, instead of merely seeing stereo vision as a visual enhancement of 2D cinema, some contemporary moving image artists explore unique types of perceptual illusions and ambiguous perceptions in their stereoscopic films. Through the experimental stereoscopic films of Blake Williams and Kazuhiro Goshima, and interviews wi…
The Discourse of Independent Animation in the Contemporary Chinese Context
Independent animation is a marginal media form in China, and studies describe how both Chinese artists and scholars of film studies have only started to practice or construct this genre and popular cinema since the 1990s, especially after the Shanke (Chinese Flash animators, 閃客) phenomenon. In this article, the existing discourse of independent animation in contemporary China is critically analyzed by studying mainly what is said and written by t…
No prominent works on this page.
The Discourse of Independent Animation in the Contemporary Chinese Context
Independent animation is a marginal media form in China, and studies describe how both Chinese artists and scholars of film studies have only started to practice or construct this genre and popular cinema since the 1990s, especially after the Shanke (Chinese Flash animators, 閃客) phenomenon. In this article, the existing discourse of independent animation in contemporary China is critically analyzed by studying mainly what is said and written by t…
Expanded stereoscopy
3D cinema has been defined by a quest for increased realism and immersion and the recreation of realistic depth perception. However, instead of merely seeing stereo vision as a visual enhancement of 2D cinema, some contemporary moving image artists explore unique types of perceptual illusions and ambiguous perceptions in their stereoscopic films. Through the experimental stereoscopic films of Blake Williams and Kazuhiro Goshima, and interviews wi…
Relentless Melt
In recent years, a growing trend of abstract and experimental animation has emerged in Hong Kong, with an increasing number of works produced over the last two decades, particularly since around 2015. This article examines how Hong Kong artists approach abstract animation, the predominant aesthetic trends, and how these trends relate to or diverge from Western traditions in visual music, following pioneers such as Hans Richter, Viking Eggeling, O…
Aesthetics (3 works) · Art (3 works) · Cinema and Media Studies (3 works) · Visual arts (3 works) · Computer Science (2 works) · Advanced Vision and Imaging (1 works) · Aesthetic Perception and Analysis (1 works) · Animation (1 works) · China (1 works) · Cognitive psychology (1 works)