Lisi Liang
Biographic Data
| ID | 6730389 |
|---|---|
| NAME | Lisi Liang |
| GIVEN NAMES | Lisi |
| FAMILY NAME | Liang |
| SIGNATURE | LIANG L |
| AFFILIATIONS | Sun Yat-sen University |
| ORCID | 0000-0002-1705-7500 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
An audience reception study of danmu-enabled humour in multimodal texts
Danmu-mediated communication reveals the intricate process of audience participation and preference. Such intricacy of communication includes danmu subtitling as a translation, danmu commentary as a multimodal text as opposed to the original, subtitled video clip, which consists of audiences’ insights into their heads-on experience, and familiarity with the audiovisual subject matter, all as a reception-side paratext (Freeth, 2021: 130–131). Rece…
How humour travels in the new and dynamic mediascape
As a vital part of translation studies, humour has drawn scholarly attention for decades, with classifications that range from Zabalbeascoa’s (The Translator 2(2):235–257, 1996) six types of jokes to Chiaro and Piferi’s (It’s green! It’s cool! It’s Shrek! Italian children, laughter and subtitles. In: Di Giovanni E, Elefante C, Pederzoli R (eds) Écrire Et Traduire Pour Les Enfants—writing and translating for children. Peter Lang, Brussels, 2010, p…
The Chinese Oliver Twist
This article sheds light upon subtitling as the audiovisual translation (AVT) mode applied to three subtitled versions of Oliver Twist . The comparison takes place within the subtitling context of two officially sanctioned versions (i.e., the musical and the film) and the non-professional and transcreated versions released on social media platforms. Research has been carried out within audiovisual translation studies with the scope of verifying i…
Reconfiguring a Chinese superhero through the dubbed versions of Monkey King
The paper aims to investigate how a Chinese heroic legend was reconfigured for Western viewers through the English-dubbed versions of a case-study film, Monkey King: Hero is Back (2015). The ultimate goal of the study is to shed new light on how dubbing practice may better cater to Western target audiences. Based on two macrolevel translation theories, three translation models, and the two microlevel translation strategies, this paper discusses t…
Illuminating humanist nature in teaching translation and interpreting studies
The paper sets out to devise an online subtitling course emphasising the human nature of translation. To gain a deeper understanding of audience behaviours and attitudes towards the consumption of subtitles, the article utilises questionnaires and case studies. Results are used to devise a learner-customised and technology-assisted online course about subtitling. The case studies that inspire the course content and design include the short-video …
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Reconfiguring a Chinese superhero through the dubbed versions of Monkey King
The paper aims to investigate how a Chinese heroic legend was reconfigured for Western viewers through the English-dubbed versions of a case-study film, Monkey King: Hero is Back (2015). The ultimate goal of the study is to shed new light on how dubbing practice may better cater to Western target audiences. Based on two macrolevel translation theories, three translation models, and the two microlevel translation strategies, this paper discusses t…
Illuminating humanist nature in teaching translation and interpreting studies
The paper sets out to devise an online subtitling course emphasising the human nature of translation. To gain a deeper understanding of audience behaviours and attitudes towards the consumption of subtitles, the article utilises questionnaires and case studies. Results are used to devise a learner-customised and technology-assisted online course about subtitling. The case studies that inspire the course content and design include the short-video …
How humour travels in the new and dynamic mediascape
As a vital part of translation studies, humour has drawn scholarly attention for decades, with classifications that range from Zabalbeascoa’s (The Translator 2(2):235–257, 1996) six types of jokes to Chiaro and Piferi’s (It’s green! It’s cool! It’s Shrek! Italian children, laughter and subtitles. In: Di Giovanni E, Elefante C, Pederzoli R (eds) Écrire Et Traduire Pour Les Enfants—writing and translating for children. Peter Lang, Brussels, 2010, p…
The Chinese Oliver Twist
This article sheds light upon subtitling as the audiovisual translation (AVT) mode applied to three subtitled versions of Oliver Twist . The comparison takes place within the subtitling context of two officially sanctioned versions (i.e., the musical and the film) and the non-professional and transcreated versions released on social media platforms. Research has been carried out within audiovisual translation studies with the scope of verifying i…
An audience reception study of danmu-enabled humour in multimodal texts
Danmu-mediated communication reveals the intricate process of audience participation and preference. Such intricacy of communication includes danmu subtitling as a translation, danmu commentary as a multimodal text as opposed to the original, subtitled video clip, which consists of audiences’ insights into their heads-on experience, and familiarity with the audiovisual subject matter, all as a reception-side paratext (Freeth, 2021: 130–131). Rece…
Computer Science (5 works) · Subtitles and Audiovisual Media (4 works) · Art (3 works) · Linguistics (3 works) · Multimedia (3 works) · Philosophy (3 works) · Translation Studies and Practices (3 works) · History (2 works) · Humor Studies and Applications (2 works) · Media studies (2 works)