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Teal Triggs

Biographic Data

ID6730463
NAMETeal Triggs
GIVEN NAMESTeal
FAMILY NAMETriggs
SIGNATURETRIGGS T
AFFILIATIONSUniversity of the Arts London
ORCID0009-0005-2646-6065
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Introduction

    Frederick M C Van Amstel, Frederick van Amstel et al.•ARTICLE•Design Issues•2025

  • Writing Design Criticism into History

    Teal Triggs•ARTICLE•Design and Culture•2013

  • Screens and the social landscape

    Open Access•Carey Jewitt, Teal Triggs•ARTICLE•Visual Communication•2006•Cited by: 1•References: 2

    The screen may be understood as a designed interface (e.g. television set, computers, information signage) and has a central place in representation and communication of the social landscape, and in the cultural and technological imagination, as well as having economic significance in the digital era of the 21st century. Traditional notions and functions of the screen are continuously shifting – a shift made all the more dramatic by the developme…

  • Undiscovered delights

    Open Access•Katherine McCoy, Teal Triggs et al.•ARTICLE•Visual Communication•2002

    ‘Undiscovered delights’ is a brief snapshot of thoughts on the relationship between theory and practice, which evolved out of a series of email exchanges between Katherine Mc Coy (KMcC), Teal Triggs (T T) and Jan van Toorn (JvT). We came together as educators and practitioners who share similar pedagogical interests and, in particular, the way theory is applied to professional graphic design practice

  • Screens and the social landscape

    Open Access•Carey Jewitt, Teal Triggs•ARTICLE•Visual Communication•2006•Cited by: 1•References: 2

    The screen may be understood as a designed interface (e.g. television set, computers, information signage) and has a central place in representation and communication of the social landscape, and in the cultural and technological imagination, as well as having economic significance in the digital era of the 21st century. Traditional notions and functions of the screen are continuously shifting – a shift made all the more dramatic by the developme…

  • Undiscovered delights

    Open Access•Katherine McCoy, Teal Triggs et al.•ARTICLE•Visual Communication•2002

    ‘Undiscovered delights’ is a brief snapshot of thoughts on the relationship between theory and practice, which evolved out of a series of email exchanges between Katherine Mc Coy (KMcC), Teal Triggs (T T) and Jan van Toorn (JvT). We came together as educators and practitioners who share similar pedagogical interests and, in particular, the way theory is applied to professional graphic design practice

  • Screens and the social landscape

    Open Access•Carey Jewitt, Teal Triggs•ARTICLE•Visual Communication•2006•Cited by: 1•References: 2

    The screen may be understood as a designed interface (e.g. television set, computers, information signage) and has a central place in representation and communication of the social landscape, and in the cultural and technological imagination, as well as having economic significance in the digital era of the 21st century. Traditional notions and functions of the screen are continuously shifting – a shift made all the more dramatic by the developme…

  • Writing Design Criticism into History

    Teal Triggs•ARTICLE•Design and Culture•2013

  • Introduction

    Frederick M C Van Amstel, Frederick van Amstel et al.•ARTICLE•Design Issues•2025

Art (3 works) · Aesthetics (2 works) · Crafts, Textile, and Design (2 works) · Design Education and Practice (2 works) · Sociology (2 works) · Art, Technology, and Culture (1 work) · Criticism (1 work) · Cultural Industries and Urban Development (1 work) · Geography (1 work) · Graphic Design and Typography (1 work)

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