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Marc Furstenau

Biographic Data

ID6730483
NAMEMarc Furstenau
GIVEN NAMESMarc
FAMILY NAMEFurstenau
SIGNATUREFÜRSTENAU M
AFFILIATIONSMarc Furstenau – Film Studies, School for Studies in Art and Culture, Carleton University, Ottawa, Ontario, Canada
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Figure and Force in Animation Aesthetics

    Marc Furstenau•ARTICLE•Canadian Journal of Film Studies•2022

  • André Bazin’s Film Theory

    Marc Furstenau•ARTICLE•Canadian Journal of Film Studies•2021

  • The promise of `makeability

    Open Access•Marc Furstenau, Adrian Mackenzie•ARTICLE•Visual Communication•2009•Cited by: 2•References: 2

    This article analyses amateur video editing software and considers its use within a broadly defined context of cultural practices, or `everyday cinematic life'. The authors argue that such software must be understood in relation to specific cinematic discourses and in the context of longstanding promises of popular participation in `movie-making'. They situate the historically sedimented nature of audiovisual experience in terms of a geneaology o…

  • The promise of `makeability

    Open Access•Marc Furstenau, Adrian Mackenzie•ARTICLE•Visual Communication•2009•Cited by: 2•References: 2

    This article analyses amateur video editing software and considers its use within a broadly defined context of cultural practices, or `everyday cinematic life'. The authors argue that such software must be understood in relation to specific cinematic discourses and in the context of longstanding promises of popular participation in `movie-making'. They situate the historically sedimented nature of audiovisual experience in terms of a geneaology o…

  • The promise of `makeability

    Open Access•Marc Furstenau, Adrian Mackenzie•ARTICLE•Visual Communication•2009•Cited by: 2•References: 2

    This article analyses amateur video editing software and considers its use within a broadly defined context of cultural practices, or `everyday cinematic life'. The authors argue that such software must be understood in relation to specific cinematic discourses and in the context of longstanding promises of popular participation in `movie-making'. They situate the historically sedimented nature of audiovisual experience in terms of a geneaology o…

  • André Bazin’s Film Theory

    Marc Furstenau•ARTICLE•Canadian Journal of Film Studies•2021

  • Figure and Force in Animation Aesthetics

    Marc Furstenau•ARTICLE•Canadian Journal of Film Studies•2022

Art (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Movie theater (2 works) · Sociology (2 works) · Amateur (1 work) · Animation (1 work) · Art history (1 work) · Artistic and Creative Research (1 work) · Cinema and Media Studies (1 work)

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