Sanchari Basu Chaudhuri
Biographic Data
| ID | 6736654 |
|---|---|
| NAME | Sanchari Basu Chaudhuri |
| GIVEN NAMES | Sanchari Basu |
| FAMILY NAME | Chaudhuri |
| SIGNATURE | CHAUDHURI S B |
| AFFILIATIONS | Jamia Millia Islamia |
| ORCID | 0000-0002-9414-9724 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Traversing boundaries
The paper investigates the symbiotic relationship between international film festivals and contemporary Hindi cinema. The years post 2010 have witnessed an increase in showcasing of Hindi cinema at international film festivals. Unlike earlier Indian cinema that has been celebrated at global platforms, the Hindi cinema under discussion situates itself at a juncture between the commercial and the art. In fact, a number of mainstream filmmakers who …
Bollywood’s Angromance
The article draws on specific theories of hegemonic masculinity through the performances of toxic masculinity to conceptualize “angromance” (our term for “angry romance”) in recent mainstream Hindi cinema. It analyzes seminal discourses associated with sadomasochistic heroes in commercially successful Bollywood films Tere Naam (“In Your Name,” Satish Kaushik, 2003), and Kabir Singh (Sandeep Reddy Vanga, 2019). The attempt is to understand how the…
Flânerie in female solo travel
Contemporary travelogues have spilled over to social media through travel blogs. This paper explores the lens of flnerie to examine blogposts of the immensely popular The Shooting Star run by Shivya Nath, a proponent of Indian female solo travel. Concerns of risks associated with safety, sexual gaze and harassment often inhibit women from loitering. Such perceptible risks increase furthermore in the case of solo female travellers. The paper argue…
No prominent works on this page.
Bollywood’s Angromance
The article draws on specific theories of hegemonic masculinity through the performances of toxic masculinity to conceptualize “angromance” (our term for “angry romance”) in recent mainstream Hindi cinema. It analyzes seminal discourses associated with sadomasochistic heroes in commercially successful Bollywood films Tere Naam (“In Your Name,” Satish Kaushik, 2003), and Kabir Singh (Sandeep Reddy Vanga, 2019). The attempt is to understand how the…
Flânerie in female solo travel
Contemporary travelogues have spilled over to social media through travel blogs. This paper explores the lens of flnerie to examine blogposts of the immensely popular The Shooting Star run by Shivya Nath, a proponent of Indian female solo travel. Concerns of risks associated with safety, sexual gaze and harassment often inhibit women from loitering. Such perceptible risks increase furthermore in the case of solo female travellers. The paper argue…
Traversing boundaries
The paper investigates the symbiotic relationship between international film festivals and contemporary Hindi cinema. The years post 2010 have witnessed an increase in showcasing of Hindi cinema at international film festivals. Unlike earlier Indian cinema that has been celebrated at global platforms, the Hindi cinema under discussion situates itself at a juncture between the commercial and the art. In fact, a number of mainstream filmmakers who …
Art (3 works) · Sociology (3 works) · Aesthetics (2 works) · Cinema and Media Studies (2 works) · Gender Studies (2 works) · History (2 works) · Literature (2 works) · Media studies (2 works) · Narrative (2 works) · Psychology (2 works)