Claudia Hopkins
Biographic Data
| ID | 6737537 |
|---|---|
| NAME | Claudia Hopkins |
| GIVEN NAMES | Claudia |
| FAMILY NAME | Hopkins |
| SIGNATURE | HOPKINS C |
| AFFILIATIONS | Durham University |
| ORCID | 0000-0001-8867-6416 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Introduction to Santiago Rusiñol’s Letters from Andalucía
“One cannot imagine Granada without the Alhambra, just as Spain cannot be imagined, from the point of view of a foreigner, without this great monument. Without it [...] most intelligent men would not
Introduction
In September 1983, Andy Warhol attended the singer-songwriter Julio Iglesias’s 40th birthday party in New York. There were a lot of cameras, but that was irrelevant, because, as Warhol put it, “eve
Eternal convivencia’
The annual Pintores de África exhibitions, organised by Franco’s colonial administration in mid-twentieth-century Madrid, offered audiences a colourful feast of artistic representations of Spain’s colonial territories in Africa, and of Spain’s architectural legacy of al-Andalus. Foregrounding the ideological issues underpinning these exhibitions, this article evaluates the selection of artworks, the programme of events, exhibition catalogues, and…
Beyond Orientalism
Nineteenth-century Spanish imagery relating to Al-Andalus offers rich material for exploring Orientalism. Focusing on the landscape painter Jenaro Pérez Villaamil (1807–1854), this article reveals the special situation of Spanish artists as both object and subject of Orientalism: their culture is orientalized by foreigners, but Spanish artists are also capable of orientalising parts of their own culture and other cultures. Existing scholarship on…
No prominent works on this page.
Beyond Orientalism
Nineteenth-century Spanish imagery relating to Al-Andalus offers rich material for exploring Orientalism. Focusing on the landscape painter Jenaro Pérez Villaamil (1807–1854), this article reveals the special situation of Spanish artists as both object and subject of Orientalism: their culture is orientalized by foreigners, but Spanish artists are also capable of orientalising parts of their own culture and other cultures. Existing scholarship on…
Eternal convivencia’
The annual Pintores de África exhibitions, organised by Franco’s colonial administration in mid-twentieth-century Madrid, offered audiences a colourful feast of artistic representations of Spain’s colonial territories in Africa, and of Spain’s architectural legacy of al-Andalus. Foregrounding the ideological issues underpinning these exhibitions, this article evaluates the selection of artworks, the programme of events, exhibition catalogues, and…
Introduction
In September 1983, Andy Warhol attended the singer-songwriter Julio Iglesias’s 40th birthday party in New York. There were a lot of cameras, but that was irrelevant, because, as Warhol put it, “eve
Introduction to Santiago Rusiñol’s Letters from Andalucía
“One cannot imagine Granada without the Alhambra, just as Spain cannot be imagined, from the point of view of a foreigner, without this great monument. Without it [...] most intelligent men would not
Art (4 works) · Art history (2 works) · Hispanic-African Historical Relations (2 works) · Historical Studies of Medieval Iberia (2 works) · History (2 works) · Painting (2 works) · Aesthetics (1 work) · Alterity (1 work) · Ancient history (1 work) · Anthropology (1 work)