Tyler Fisher
Biographic Data
| ID | 6737608 |
|---|---|
| NAME | Tyler Fisher |
| GIVEN NAMES | Tyler |
| FAMILY NAME | Fisher |
| SIGNATURE | FISHER T |
| AFFILIATIONS | Royal Holloway University of London |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 0 |
Nautical Votive Offerings and Imaginative Speculation in Góngora's Soledad primera
With a particular focus on lines 29–33 and 477–80, this article analyses the motif of the ex-voto or votive offering in Góngora's Soledad primera. In relation to Golden-Age ex-votos more generally, both in popular practice and in literary convention, it identifies three characteristics that are central to Góngora's development of the motif. These are the ex-voto's capacity to signify in a metonymic mode, its fragmentary and ephemeral nature, and …
Negotiating Power in the Iberian Inquisitions
On Constructs and Insights
This paper tests several of Robert Pring-Mill's schematic clarifications of 'the nature and functioning of the concepto ' against examples from Golden-Age devotional poetry and doctrinal treatises. In particular, it explores ways in which the conceptista conflation of figures for the Incarnation and figues for the poet's craft can clarify our understanding of contemporary aesthetics and reading practices, thereby building on Pring-Mill's treatmen…
Francisco López de Zárate's 'Canción real' in Vicencio Carducho's Diálogos de la Pintura (1633)
A poem called 'Canción real' by Francisco López de Zárate (c. 1580–1658), in praise of painting and the contemporary artist Vicencio Carducho, deserves to be better known. Its historical and ideological context, furthermore, needs clarification. It was printed in Carducho's Diálogos de la pintura (1633), and like other poetical works by Zárate expresses the author's keen interest in painting, stimulated no doubt by the culture of art collecting a…
No prominent works on this page.
Francisco López de Zárate's 'Canción real' in Vicencio Carducho's Diálogos de la Pintura (1633)
A poem called 'Canción real' by Francisco López de Zárate (c. 1580–1658), in praise of painting and the contemporary artist Vicencio Carducho, deserves to be better known. Its historical and ideological context, furthermore, needs clarification. It was printed in Carducho's Diálogos de la pintura (1633), and like other poetical works by Zárate expresses the author's keen interest in painting, stimulated no doubt by the culture of art collecting a…
On Constructs and Insights
This paper tests several of Robert Pring-Mill's schematic clarifications of 'the nature and functioning of the concepto ' against examples from Golden-Age devotional poetry and doctrinal treatises. In particular, it explores ways in which the conceptista conflation of figures for the Incarnation and figues for the poet's craft can clarify our understanding of contemporary aesthetics and reading practices, thereby building on Pring-Mill's treatmen…
Negotiating Power in the Iberian Inquisitions
Nautical Votive Offerings and Imaginative Speculation in Góngora's Soledad primera
With a particular focus on lines 29–33 and 477–80, this article analyses the motif of the ex-voto or votive offering in Góngora's Soledad primera. In relation to Golden-Age ex-votos more generally, both in popular practice and in literary convention, it identifies three characteristics that are central to Góngora's development of the motif. These are the ex-voto's capacity to signify in a metonymic mode, its fragmentary and ephemeral nature, and …
History (4 works) · History (4 works) · Art (3 works) · Art history (3 works) · Early Modern Spanish Literature (3 works) · Literature (3 works) · Poetry (3 works) · Law (2 works) · Law (2 works) · Philosophy (2 works)