Nicholas M Kelly
Biographic Data
| ID | 6740959 |
|---|---|
| NAME | Nicholas M Kelly |
| GIVEN NAMES | Nicholas M |
| FAMILY NAME | Kelly |
| SIGNATURE | KELLY N M |
| AFFILIATIONS | New Mexico Institute of Mining and Technology |
| ORCID | 0000-0003-3053-548X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Facing Surveillance
This article examines an archive of recent films, fiction, and interactive media that use personified representations of surveillance to depict and critique real-world surveillance practices. It shows how these works, like George Orwell’s 1984 (1949), use personification to depict secretive, complex surveillance networks and convey the supposed meaning of those networks to surveilled subjects: someone is watching you. While such representations o…
Squatter Regionalism
In this article we use computational methods to establish that the Program Era has altered the traditional understanding that a regionalist writer writes about the region in which they grew up. Using the Iowa Writers’ Workshop as an example, we prove that many writers now write about the region to which they moved to study and/or teach creative writing. Using a database of demographic information about faculty and students alongside computational…
Works like Magic”
No prominent works on this page.
Works like Magic”
Squatter Regionalism
In this article we use computational methods to establish that the Program Era has altered the traditional understanding that a regionalist writer writes about the region in which they grew up. Using the Iowa Writers’ Workshop as an example, we prove that many writers now write about the region to which they moved to study and/or teach creative writing. Using a database of demographic information about faculty and students alongside computational…
Facing Surveillance
This article examines an archive of recent films, fiction, and interactive media that use personified representations of surveillance to depict and critique real-world surveillance practices. It shows how these works, like George Orwell’s 1984 (1949), use personification to depict secretive, complex surveillance networks and convey the supposed meaning of those networks to surveilled subjects: someone is watching you. While such representations o…
Computer Science (3 works) · Art (2 works) · Epistemology (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Sociology (2 works) · Astronomy (1 work) · Brother (1 work) · Computer security (1 work)