Yangyang Long
Biographic Data
| ID | 6742590 |
|---|---|
| NAME | Yangyang Long |
| GIVEN NAMES | Yangyang |
| FAMILY NAME | Long |
| SIGNATURE | LONG Y |
| AFFILIATIONS | Xi’an Jiaotong-Liverpool University |
| ORCID | 0000-0002-5268-186X |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Reimagining Translation Education
This study challenges the “either-or” dichotomy in attitudes toward AI translation and explores strategies to foster critical engagement with AI tools among students enrolled in translation modules. Drawing on questionnaire responses from students at Xi’an Jiaotong-Liverpool University, the research investigates the issue: learners’ experiences with AI-integrated assessment practices and pathways to harmonizing AI translation with pedagogical goa…
Translating and performing China for the English-speaking stage
Contemporary China is increasingly open in its interaction with the global cultural community, generating one of the most prestigious projects—the Royal Shakespeare Company’s “Chinese Classics Translation Projects” (2015–2023). This article examines this project’s first production Snow in Midsummer , a performance based on a new translation of the Chinese classic Dou E Yuan (窦娥冤, The Injustice to Dou E That Moved Heaven and Earth ). Through explo…
Translation as Representation
This article explores how China has been imagined in Western literature and culture from the eighteenth century to the contemporary era, using a series of emblematic figures to examine practices of appropriation and troping. It seeks to reveal how the historical construction and representation of China is refashioned in our time, against the background of China’s rise to global power and a concomitant growing sense of doubt, fear and hostility in…
Transpacific theatre
This article examines Lin Yutang’s self-translation of his Chinese play Zi Jian Nan Zi (子见南子) as Confucius Saw Nancy for the 1930s American audience, in order to explore the creativity manifested in the process of translation that secures the performability of the translated play. Drawing upon Lin’s understanding of the notion of “self-translation”, namely, what he sees as a movement between identities of his Chinese self and English-speaking Oth…
Translating China to the Atlantic West
This article examines how the Chinese author and translator Lin Yutang challenged the misconstructions of China in the Atlantic West. From the perspective of the inhabitants of the Pacific Rim, the Atlantic is considered a symbol and metaphor for the union of the West (Europe and North America). Due to significant cultural and linguistic differences, China has frequently been misrepresented by Atlantic nations. Within this context, the leading tr…
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Translating China to the Atlantic West
This article examines how the Chinese author and translator Lin Yutang challenged the misconstructions of China in the Atlantic West. From the perspective of the inhabitants of the Pacific Rim, the Atlantic is considered a symbol and metaphor for the union of the West (Europe and North America). Due to significant cultural and linguistic differences, China has frequently been misrepresented by Atlantic nations. Within this context, the leading tr…
Transpacific theatre
This article examines Lin Yutang’s self-translation of his Chinese play Zi Jian Nan Zi (子见南子) as Confucius Saw Nancy for the 1930s American audience, in order to explore the creativity manifested in the process of translation that secures the performability of the translated play. Drawing upon Lin’s understanding of the notion of “self-translation”, namely, what he sees as a movement between identities of his Chinese self and English-speaking Oth…
Translation as Representation
This article explores how China has been imagined in Western literature and culture from the eighteenth century to the contemporary era, using a series of emblematic figures to examine practices of appropriation and troping. It seeks to reveal how the historical construction and representation of China is refashioned in our time, against the background of China’s rise to global power and a concomitant growing sense of doubt, fear and hostility in…
Translating and performing China for the English-speaking stage
Contemporary China is increasingly open in its interaction with the global cultural community, generating one of the most prestigious projects—the Royal Shakespeare Company’s “Chinese Classics Translation Projects” (2015–2023). This article examines this project’s first production Snow in Midsummer , a performance based on a new translation of the Chinese classic Dou E Yuan (窦娥冤, The Injustice to Dou E That Moved Heaven and Earth ). Through explo…
Reimagining Translation Education
This study challenges the “either-or” dichotomy in attitudes toward AI translation and explores strategies to foster critical engagement with AI tools among students enrolled in translation modules. Drawing on questionnaire responses from students at Xi’an Jiaotong-Liverpool University, the research investigates the issue: learners’ experiences with AI-integrated assessment practices and pathways to harmonizing AI translation with pedagogical goa…
Art (3 works) · China (3 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · Sociology (3 works) · Aesthetics (2 works) · Chinese history and philosophy (2 works) · Epistemology (2 works) · Japanese History and Culture (2 works)