Daniel Dilliplane
Biographic Data
| ID | 6743194 |
|---|---|
| NAME | Daniel Dilliplane |
| GIVEN NAMES | Daniel |
| FAMILY NAME | Dilliplane |
| SIGNATURE | DILLIPLANE D |
| AFFILIATIONS | University of Milan |
| ORCID | 0009-0002-2434-3502 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Pedestrian theatre as critical urban historiography
Produced by the National Theatre of Greece in 2022, Brikena Gishto’s walking performance Topography of Death or Lest We Forget charts a critical counter cartography of downtown Athens that identifies and resists the expansion of a contemporary microfascist necropolitics. Conceptualising the play’s creative methodology as pedestrian theatre, this article explores the aesthetic and political dimensions of its embodied and multisensory approach to u…
Staging progressive dissensus and the politics of Black silence
In August 2015, Black Lives Matter activists Mara Willaford and Marissa Johnson interrupted a Seattle rally with a four-and-a-half-minute silent commemoration of Black teenager Michael Brown, preventing presidential candidate Senator Bernie Sanders from speaking. Using a Rancièrean political framework and a methodology of performance-inflected rhetorical criticism, I explore how this silent protest exemplifies what I call “voiced silence” and tra…
No prominent works on this page.
Staging progressive dissensus and the politics of Black silence
In August 2015, Black Lives Matter activists Mara Willaford and Marissa Johnson interrupted a Seattle rally with a four-and-a-half-minute silent commemoration of Black teenager Michael Brown, preventing presidential candidate Senator Bernie Sanders from speaking. Using a Rancièrean political framework and a methodology of performance-inflected rhetorical criticism, I explore how this silent protest exemplifies what I call “voiced silence” and tra…
Pedestrian theatre as critical urban historiography
Produced by the National Theatre of Greece in 2022, Brikena Gishto’s walking performance Topography of Death or Lest We Forget charts a critical counter cartography of downtown Athens that identifies and resists the expansion of a contemporary microfascist necropolitics. Conceptualising the play’s creative methodology as pedestrian theatre, this article explores the aesthetic and political dimensions of its embodied and multisensory approach to u…
Aesthetics (1 work) · Art (1 work) · Contemporary and Historical Greek Studies (1 work) · Critical Race Theory in Education (1 work) · Drama (1 work) · Gender Studies (1 work) · Gender Studies (1 work) · History (1 work) · History (1 work) · Hurricane katrina (1 work)