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Stina Teilmann-Lock

Biographic Data

ID6748055
NAMEStina Teilmann-Lock
GIVEN NAMESStina
FAMILY NAMETeilmann-Lock
SIGNATURETEILMANN-LOCK S
AFFILIATIONSCopenhagen Business School
ORCID0000-0002-7487-0274
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2024
H-INDEX1
  • The Cult of Creativity

    Stina Teilmann-Lock•ARTICLE•Technology and Culture•2024

    Book review of: The Cult of Creativity: A Surprisingly Recent History by Samuel W. Franklin. University of Chicago Press. 2023. 253 pages. The Creativity Complex: Art, Tech, and the Seduction of an Idea by Shannon Steen. University of Michigan Press. 2023. XI + 246 pages

  • What You See Is What You Get”

    Stina Teilmann-Lock•ARTICLE•Grey Room•2024

    January 01 2024 "What You See Is What You Get": The Art of Protecting Design in Intellectual Property Law Stina Teilmann-Lock Stina Teilmann-Lock Stina Teilmann-Lock is Associate Professor in the Department of Business Humanities and Law at Copenhagen Business School. Her scholarly work focuses on intersections of intellectual property law, design business and digital transformation. From 2020 to 2024 she is Co-PI of the research projects "ArTech…

  • GenderLAB

    Open Access•Jannick Friis Christensen, Rebekka Mahler et al.•ARTICLE•Organization•2021

    This article addresses recent debates in critical management studies (CMS) on the impact of research beyond academia and critical performativity—in other words, it addresses the need for researchers to engage with and intervene in organizational practices while remaining critical of these practices. GenderLAB has been developed to address this need by organizing academic activism and drawing critical insights from studies in gender equality and d…

  • The transformative power of the thumbnail image

    Open Access•Nanna Bonde Thylstrup, Stina Teilmann-Lock•ARTICLE•First Monday•2017

    Thumbnail images are discreet, yet central navigational tools in increasingly complex visual information environments. Indeed, without thumbnail images there would be no image search: they are an inherent part of the information architecture of most digital information platforms. Yet, how might we understand the role of the thumbnail as an attention technology in the digital economy? And what kind of aesthetic does it produce? This paper examines…

  • Danish Design

    Stina Teilmann-Lock•ARTICLE•Design and Culture•2014•Cited by: 1

    This article argues that the creative processes of the designer occur within a social context that includes national intellectual property law, and in particular that Danish designers make design decisions that are direct responses to the unique contours of Danish copyright law. Two recent Danish copyright infringement cases, one concerning Arne Jacobsen's Ant chair and the other regarding the so-called Lyngby Vase, illustrate particularly well t…

  • Danish Design

    Stina Teilmann-Lock•ARTICLE•Design and Culture•2014•Cited by: 1

    This article argues that the creative processes of the designer occur within a social context that includes national intellectual property law, and in particular that Danish designers make design decisions that are direct responses to the unique contours of Danish copyright law. Two recent Danish copyright infringement cases, one concerning Arne Jacobsen's Ant chair and the other regarding the so-called Lyngby Vase, illustrate particularly well t…

  • Danish Design

    Stina Teilmann-Lock•ARTICLE•Design and Culture•2014•Cited by: 1

    This article argues that the creative processes of the designer occur within a social context that includes national intellectual property law, and in particular that Danish designers make design decisions that are direct responses to the unique contours of Danish copyright law. Two recent Danish copyright infringement cases, one concerning Arne Jacobsen's Ant chair and the other regarding the so-called Lyngby Vase, illustrate particularly well t…

  • The transformative power of the thumbnail image

    Open Access•Nanna Bonde Thylstrup, Stina Teilmann-Lock•ARTICLE•First Monday•2017

    Thumbnail images are discreet, yet central navigational tools in increasingly complex visual information environments. Indeed, without thumbnail images there would be no image search: they are an inherent part of the information architecture of most digital information platforms. Yet, how might we understand the role of the thumbnail as an attention technology in the digital economy? And what kind of aesthetic does it produce? This paper examines…

  • GenderLAB

    Open Access•Jannick Friis Christensen, Rebekka Mahler et al.•ARTICLE•Organization•2021

    This article addresses recent debates in critical management studies (CMS) on the impact of research beyond academia and critical performativity—in other words, it addresses the need for researchers to engage with and intervene in organizational practices while remaining critical of these practices. GenderLAB has been developed to address this need by organizing academic activism and drawing critical insights from studies in gender equality and d…

  • The Cult of Creativity

    Stina Teilmann-Lock•ARTICLE•Technology and Culture•2024

    Book review of: The Cult of Creativity: A Surprisingly Recent History by Samuel W. Franklin. University of Chicago Press. 2023. 253 pages. The Creativity Complex: Art, Tech, and the Seduction of an Idea by Shannon Steen. University of Michigan Press. 2023. XI + 246 pages

  • What You See Is What You Get”

    Stina Teilmann-Lock•ARTICLE•Grey Room•2024

    January 01 2024 "What You See Is What You Get": The Art of Protecting Design in Intellectual Property Law Stina Teilmann-Lock Stina Teilmann-Lock Stina Teilmann-Lock is Associate Professor in the Department of Business Humanities and Law at Copenhagen Business School. Her scholarly work focuses on intersections of intellectual property law, design business and digital transformation. From 2020 to 2024 she is Co-PI of the research projects "ArTech…

Sociology (5 works) · Computer Science (3 works) · Art (2 works) · Intellectual property (2 works) · Law (2 works) · Law (2 works) · Political science (2 works) · Aesthetics (1 work) · Art history (1 work) · Art, Technology, and Culture (1 work)

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