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Bridget Blodgett

Biographic Data

ID6748398
NAMEBridget Blodgett
GIVEN NAMESBridget
FAMILY NAMEBlodgett
SIGNATUREBLODGETT B
AFFILIATIONSUniversity of Baltimore
ORCID0000-0002-1656-4359
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS3
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2012
LATEST PUBLICATION YEAR2020
H-INDEX1
  • "Every Word You Just Said Is Wrong"

    Open Access•Bridget Blodgett, Andrea Salter et al.•ARTICLE•AoIR Selected Papers of Internet…•2020

    The months leading up to the release of Disney franchise films The Last Jedi (December 2017) and Black Panther (February 2018) were marked by speculation, concern, and fervor in equal measures from the established fan communities of Star Wars and Marvel. Both franchises have been associated with toxic geek masculinity, a performed, communal hypermasculinity marked by exclusionary practices and rhetoric (Salter & Blodgett, 2017). By centering eith…

  • Media in the Post #GamerGate Era

    Open Access•Bridget Blodgett•ARTICLE•Television & New Media•2019•References: 5

    History has recorded the aggressive fandom campaigns of the 2010s, which drove vulnerable minority actors from their careers and homes. #GamerGate was the most iconic of these movements with its claim to focus on the ethics in games journalism. This article examines select news coverage of the #GamerGate movement from its initial outset in 2014 to today to identify how the movement changed news reporting’s approach to fandom harassment stories. #…

  • Ghostbusters is For Boys

    Bridget Blodgett, Andrea Salter et al.•ARTICLE•Communication Culture and Critique•2018•Cited by: 3•References: 11

    In 2014, Paul Feig announced he was rebooting Ghostbusters, recasting the team as four women. The news was met with an outpouring of hate directed at the studio, media, and the stars. This had real consequences to the movie’s success: an extreme gender bias in reviews prior to the release date. We examine pivotal moments in this two-year incident through a data set collected from YouTube videos and comments, blog posts, reviews, forums, and artic…

  • Toxic Geek Masculinity in Media

    Open Access•Andrea Salter, Anastasia Salter et al.•BOOK•Toxic Geek Masculinity in Media•2017

  • Hypermasculinity & Dickwolves

    Andrea Salter, Anastasia Salter et al.•ARTICLE•Journal of Broadcasting &…•2012

    As video games have attracted more critical attention and theoretical discourse and games play a more visible part in our media landscape, the modern video game community impacts the wider world of online culture and warrants more detailed study. Using the case of the Dickwolves incident from Penny Arcade.com, the authors address issues of hypermasculinity and sexism within the gaming community and how this lens brings to light issues with a host…

  • Ghostbusters is For Boys

    Bridget Blodgett, Andrea Salter et al.•ARTICLE•Communication Culture and Critique•2018•Cited by: 3•References: 11

    In 2014, Paul Feig announced he was rebooting Ghostbusters, recasting the team as four women. The news was met with an outpouring of hate directed at the studio, media, and the stars. This had real consequences to the movie’s success: an extreme gender bias in reviews prior to the release date. We examine pivotal moments in this two-year incident through a data set collected from YouTube videos and comments, blog posts, reviews, forums, and artic…

  • Hypermasculinity & Dickwolves

    Andrea Salter, Anastasia Salter et al.•ARTICLE•Journal of Broadcasting &…•2012

    As video games have attracted more critical attention and theoretical discourse and games play a more visible part in our media landscape, the modern video game community impacts the wider world of online culture and warrants more detailed study. Using the case of the Dickwolves incident from Penny Arcade.com, the authors address issues of hypermasculinity and sexism within the gaming community and how this lens brings to light issues with a host…

  • Toxic Geek Masculinity in Media

    Open Access•Andrea Salter, Anastasia Salter et al.•BOOK•Toxic Geek Masculinity in Media•2017

  • Ghostbusters is For Boys

    Bridget Blodgett, Andrea Salter et al.•ARTICLE•Communication Culture and Critique•2018•Cited by: 3•References: 11

    In 2014, Paul Feig announced he was rebooting Ghostbusters, recasting the team as four women. The news was met with an outpouring of hate directed at the studio, media, and the stars. This had real consequences to the movie’s success: an extreme gender bias in reviews prior to the release date. We examine pivotal moments in this two-year incident through a data set collected from YouTube videos and comments, blog posts, reviews, forums, and artic…

  • Media in the Post #GamerGate Era

    Open Access•Bridget Blodgett•ARTICLE•Television & New Media•2019•References: 5

    History has recorded the aggressive fandom campaigns of the 2010s, which drove vulnerable minority actors from their careers and homes. #GamerGate was the most iconic of these movements with its claim to focus on the ethics in games journalism. This article examines select news coverage of the #GamerGate movement from its initial outset in 2014 to today to identify how the movement changed news reporting’s approach to fandom harassment stories. #…

  • "Every Word You Just Said Is Wrong"

    Open Access•Bridget Blodgett, Andrea Salter et al.•ARTICLE•AoIR Selected Papers of Internet…•2020

    The months leading up to the release of Disney franchise films The Last Jedi (December 2017) and Black Panther (February 2018) were marked by speculation, concern, and fervor in equal measures from the established fan communities of Star Wars and Marvel. Both franchises have been associated with toxic geek masculinity, a performed, communal hypermasculinity marked by exclusionary practices and rhetoric (Salter & Blodgett, 2017). By centering eith…

Digital Games and Media (5 works) · Media studies (5 works) · Sociology (5 works) · Gender, Feminism, and Media (4 works) · Masculinity (4 works) · Media, Gender, and Advertising (4 works) · Art (3 works) · Geek (3 works) · Gender Studies (3 works) · Aesthetics (2 works)

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