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Kirsten Pike

Biographic Data

ID6748463
NAMEKirsten Pike
GIVEN NAMESKirsten
FAMILY NAMEPike
SIGNATUREPIKE K
AFFILIATIONSNorthwestern University in Qatar
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS5
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Disney in Doha

    Kirsten Pike•ARTICLE•Middle East Journal of Culture…•2018

    This article explores the ways that Al Jazeera’s Jeem TV —an Arabic channel aimed at preteens in the Middle East and North Africa ( MENA )—increasingly relies on content from Disney to fill its schedule, while also adapting it to better reflect cultural norms and sensitivities in the Arab Gulf. Specifically, the essay examines how Jeem’s rewriting, re-editing and dubbing strategies are transforming the gendered meanings of Disney films and TV sho…

  • Managing Female Adolescence in Disney's Witch Mountain Movies during the Women's Liberation Era

    Kirsten Pike•ARTICLE•Feminist Media Histories•2015

    Although Disney's 1970s Witch Mountain films were tremendously popular with preteen girls, they have been largely overlooked in historical scholarship on gender, film, and second-wave feminism. To help extend and shed new light on the history of girls on film during the women's liberation era, this article explores how Escape to Witch Mountain (1975) and Return from Witch Mountain (1978) negotiate ideas about youthful female independence, power, …

  • Mapping New Methodological Approaches to Girls’ Media Studies

    Jessalynn Keller, Morgan Genevieve Blue et al.•ARTICLE•Journal of Children and Media•2015

    Over the past two decades, girls' media studies has developed from a marginalized research interest into an innovative subfield exploring the relationship between girls and media cultures.As girls become increasingly visible within the production, reception, and distribution of cinema, television, and new media, girls' media studies scholars have responded by employing a diverse range of methodological approaches, including discursive and aesthet…

  • Gender, Nation, and Reality TV

    Open Access•Diane Negra, Kirsten Pike et al.•ARTICLE•Television & New Media•2012•Cited by: 5•References: 9

  • Lessons in Liberation

    Kirsten Pike•ARTICLE•Girlhood Studies•2011

  • Gender, Nation, and Reality TV

    Open Access•Diane Negra, Kirsten Pike et al.•ARTICLE•Television & New Media•2012•Cited by: 5•References: 9

  • Lessons in Liberation

    Kirsten Pike•ARTICLE•Girlhood Studies•2011

  • Gender, Nation, and Reality TV

    Open Access•Diane Negra, Kirsten Pike et al.•ARTICLE•Television & New Media•2012•Cited by: 5•References: 9

  • Managing Female Adolescence in Disney's Witch Mountain Movies during the Women's Liberation Era

    Kirsten Pike•ARTICLE•Feminist Media Histories•2015

    Although Disney's 1970s Witch Mountain films were tremendously popular with preteen girls, they have been largely overlooked in historical scholarship on gender, film, and second-wave feminism. To help extend and shed new light on the history of girls on film during the women's liberation era, this article explores how Escape to Witch Mountain (1975) and Return from Witch Mountain (1978) negotiate ideas about youthful female independence, power, …

  • Mapping New Methodological Approaches to Girls’ Media Studies

    Jessalynn Keller, Morgan Genevieve Blue et al.•ARTICLE•Journal of Children and Media•2015

    Over the past two decades, girls' media studies has developed from a marginalized research interest into an innovative subfield exploring the relationship between girls and media cultures.As girls become increasingly visible within the production, reception, and distribution of cinema, television, and new media, girls' media studies scholars have responded by employing a diverse range of methodological approaches, including discursive and aesthet…

  • Disney in Doha

    Kirsten Pike•ARTICLE•Middle East Journal of Culture…•2018

    This article explores the ways that Al Jazeera’s Jeem TV —an Arabic channel aimed at preteens in the Middle East and North Africa ( MENA )—increasingly relies on content from Disney to fill its schedule, while also adapting it to better reflect cultural norms and sensitivities in the Arab Gulf. Specifically, the essay examines how Jeem’s rewriting, re-editing and dubbing strategies are transforming the gendered meanings of Disney films and TV sho…

Sociology (5 works) · Gender Studies (3 works) · Gender, Feminism, and Media (3 works) · Media studies (3 works) · Media, Gender, and Advertising (3 works) · Political science (3 works) · Advertising (2 works) · Asian Culture and Media Studies (2 works) · Computer Science (2 works) · Entertainment (2 works)

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