Erin Hanna
Biographic Data
| ID | 6748476 |
|---|---|
| NAME | Erin Hanna |
| GIVEN NAMES | Erin |
| FAMILY NAME | Hanna |
| SIGNATURE | HANNA E |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The limits of Comic-Con’s exclusivity
This essay considers the interplay between exclusivity and access growing out of Comic-Con’s history, its pivot online during the pandemic, and the organization’s plans for the future
Be Selling You
Known for its sophistication, enigmatic narrative, and small but voracious fan base, the British series The Prisoner is an enduring example of cult television. However, its import to American television beginning in 1968 and its reimagining as an AMC miniseries in 2009 demonstrates that the program’s endurance has as much to do with its viability as a commodity as its value as a canonic cult text. By tracing the industrial and press discourses ar…
Be Selling You
Known for its sophistication, enigmatic narrative, and small but voracious fan base, the British series The Prisoner is an enduring example of cult television. However, its import to American television beginning in 1968 and its reimagining as an AMC miniseries in 2009 demonstrates that the program’s endurance has as much to do with its viability as a commodity as its value as a canonic cult text. By tracing the industrial and press discourses ar…
Be Selling You
Known for its sophistication, enigmatic narrative, and small but voracious fan base, the British series The Prisoner is an enduring example of cult television. However, its import to American television beginning in 1968 and its reimagining as an AMC miniseries in 2009 demonstrates that the program’s endurance has as much to do with its viability as a commodity as its value as a canonic cult text. By tracing the industrial and press discourses ar…
The limits of Comic-Con’s exclusivity
This essay considers the interplay between exclusivity and access growing out of Comic-Con’s history, its pivot online during the pandemic, and the organization’s plans for the future
Art (2 works) · Literature (2 works) · Advertising (1 work) · Business (1 work) · Comics (1 work) · Comics and Graphic Narratives (1 work) · Commodity (1 work) · Computer Science (1 work) · Cult (1 work) · Customer base (1 work)