Paula Gilligan
Biographic Data
| ID | 6748481 |
|---|---|
| NAME | Paula Gilligan |
| GIVEN NAMES | Paula |
| FAMILY NAME | Gilligan |
| SIGNATURE | GILLIGAN P |
| AFFILIATIONS | Dún Laoghaire Institute of Art, Design and Technology |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 1 |
Harsh Realism”
In the aftermath of the 2011 UK riots, two main themes emerged in public discourse: (a) that the riots were criminal and materialistic in intent and linked to the reality television driven “miswanting” of poor youth and (b) that the riots were a manifestation of a national crisis generated by the absence of public and civic responsibility among (female) denizens of public housing estates. The author argues that, far from telling us about the cult…
A Monotonous Hell’
This article explores issues of space and visualisation in two films of the 1930s: John Ford's The Informer (1935) and Jeff Musso's Le Puritain (1937). Both films were based on novels by the Irish author Liam O'Flaherty, and were shot in studios outside Ireland when O'Flaherty was in exile. Liam O'Flaherty played an active part in the production process of both films. He worked on the screen adaptation and gave advice on the sets. The films were …
Harsh Realism”
In the aftermath of the 2011 UK riots, two main themes emerged in public discourse: (a) that the riots were criminal and materialistic in intent and linked to the reality television driven “miswanting” of poor youth and (b) that the riots were a manifestation of a national crisis generated by the absence of public and civic responsibility among (female) denizens of public housing estates. The author argues that, far from telling us about the cult…
A Monotonous Hell’
This article explores issues of space and visualisation in two films of the 1930s: John Ford's The Informer (1935) and Jeff Musso's Le Puritain (1937). Both films were based on novels by the Irish author Liam O'Flaherty, and were shot in studios outside Ireland when O'Flaherty was in exile. Liam O'Flaherty played an active part in the production process of both films. He worked on the screen adaptation and gave advice on the sets. The films were …
Harsh Realism”
In the aftermath of the 2011 UK riots, two main themes emerged in public discourse: (a) that the riots were criminal and materialistic in intent and linked to the reality television driven “miswanting” of poor youth and (b) that the riots were a manifestation of a national crisis generated by the absence of public and civic responsibility among (female) denizens of public housing estates. The author argues that, far from telling us about the cult…
Law (2 works) · Law (2 works) · Media studies (2 works) · Political science (2 works) · Politics (2 works) · Sociology (2 works) · Art (1 work) · Art history (1 work) · Austerity (1 work) · Cinema and Media Studies (1 work)