Lauren Herold
Biographic Data
| ID | 6748488 |
|---|---|
| NAME | Lauren Herold |
| GIVEN NAMES | Lauren |
| FAMILY NAME | Herold |
| SIGNATURE | HEROLD L |
| AFFILIATIONS | Kenyon College |
| ORCID | 0000-0003-3813-6045 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
“We Can't Rely on Others to Document Our Experience”
From gay liberation to backlash
This article explores how The Emerald City (1977–1979), an LGBTQ public access cable television show, represented the evolving sociopolitical and geographic contexts of New York City in the 1970s and mediated the concept “gay pride.” Tracing its emplacement in New York alongside the development of cable television, this article discusses how the series played a role in producing dominant queer cultural imaginations of the city. Combining analysis…
Affective production value on queer community television
This article assesses the significance of the Gay Cable Network (GCN), a production company that aired a dozen shows on public access cable television made by and for LGBTQ New Yorkers. Drawing upon archival research and interviews with producers, hosts, and assistants at GCN, I argue that LGBTQ producers experience both transformational opportunities for political engagement as well as precarity, frustration, and loss through public access cable…
Televisual Emotional Pedagogy
Starting in New York City in the 1970s, gay men and lesbians created public access television programs to shine a spotlight on their experiences, communities, concerns, and businesses. This article asks, “How did public access programming provide an emerging televisual forum for lesbian, gay, bisexual, transgender, and queer (LGBTQ) people to circulate community affects, experiences, and activism?” Looking to the “AIDS” episode of the 1983 cable …
No prominent works on this page.
Televisual Emotional Pedagogy
Starting in New York City in the 1970s, gay men and lesbians created public access television programs to shine a spotlight on their experiences, communities, concerns, and businesses. This article asks, “How did public access programming provide an emerging televisual forum for lesbian, gay, bisexual, transgender, and queer (LGBTQ) people to circulate community affects, experiences, and activism?” Looking to the “AIDS” episode of the 1983 cable …
Affective production value on queer community television
This article assesses the significance of the Gay Cable Network (GCN), a production company that aired a dozen shows on public access cable television made by and for LGBTQ New Yorkers. Drawing upon archival research and interviews with producers, hosts, and assistants at GCN, I argue that LGBTQ producers experience both transformational opportunities for political engagement as well as precarity, frustration, and loss through public access cable…
“We Can't Rely on Others to Document Our Experience”
From gay liberation to backlash
This article explores how The Emerald City (1977–1979), an LGBTQ public access cable television show, represented the evolving sociopolitical and geographic contexts of New York City in the 1970s and mediated the concept “gay pride.” Tracing its emplacement in New York alongside the development of cable television, this article discusses how the series played a role in producing dominant queer cultural imaginations of the city. Combining analysis…
Sociology (4 works) · Media studies (3 works) · Queer (3 works) · Cinema and Media Studies (2 works) · Gender Studies (2 works) · Gender Studies (2 works) · Lesbian (2 works) · Music History and Culture (2 works) · Political science (2 works) · Politics (2 works)